(Faire) juger l’image de la précarité dans les films muets (1897-1926)

Some fictions that portray precariousness deal with the moral limits at the heart of the social division in order to evaluate both the character of the poor and our own faculties of judging him. However precariousness on the screen also consolidates a cinematographic model of causality and linearity...

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Autor principal: Sylvain Louet
Formato: article
Lenguaje:FR
Publicado: Centre d´Histoire et Théorie des Arts 2021
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Acceso en línea:https://doaj.org/article/8b15d24fa3b340dbb1962c8f8fe6a23d
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spelling oai:doaj.org-article:8b15d24fa3b340dbb1962c8f8fe6a23d2021-12-02T09:54:19Z(Faire) juger l’image de la précarité dans les films muets (1897-1926)1778-380110.4000/imagesrevues.10718https://doaj.org/article/8b15d24fa3b340dbb1962c8f8fe6a23d2021-10-01T00:00:00Zhttp://journals.openedition.org/imagesrevues/10718https://doaj.org/toc/1778-3801Some fictions that portray precariousness deal with the moral limits at the heart of the social division in order to evaluate both the character of the poor and our own faculties of judging him. However precariousness on the screen also consolidates a cinematographic model of causality and linearity, as well as the foundations of a montage based on continuity and discontinuity, which is set up at the beginning of the twentieth century. Thus, the figure of the poor, in fictions considered as imaginary courts, contributes to the development of narration which involves figural stakes. On the one hand, the social ambivalence of the figures of precariousness is a narrative engine and a source of tension that benefits the narrative. On the other hand, the image also opens the field of story to the motives of dream or fantasy through the figural precariousness which possesses itself a social sense.Sylvain LouetCentre d´Histoire et Théorie des ArtsarticlesuperimpositionprecariousnessambivalentjudgmentfantasynarrativeFine ArtsNFRImages Re-Vues, Vol 18 (2021)
institution DOAJ
collection DOAJ
language FR
topic superimposition
precariousness
ambivalent
judgment
fantasy
narrative
Fine Arts
N
spellingShingle superimposition
precariousness
ambivalent
judgment
fantasy
narrative
Fine Arts
N
Sylvain Louet
(Faire) juger l’image de la précarité dans les films muets (1897-1926)
description Some fictions that portray precariousness deal with the moral limits at the heart of the social division in order to evaluate both the character of the poor and our own faculties of judging him. However precariousness on the screen also consolidates a cinematographic model of causality and linearity, as well as the foundations of a montage based on continuity and discontinuity, which is set up at the beginning of the twentieth century. Thus, the figure of the poor, in fictions considered as imaginary courts, contributes to the development of narration which involves figural stakes. On the one hand, the social ambivalence of the figures of precariousness is a narrative engine and a source of tension that benefits the narrative. On the other hand, the image also opens the field of story to the motives of dream or fantasy through the figural precariousness which possesses itself a social sense.
format article
author Sylvain Louet
author_facet Sylvain Louet
author_sort Sylvain Louet
title (Faire) juger l’image de la précarité dans les films muets (1897-1926)
title_short (Faire) juger l’image de la précarité dans les films muets (1897-1926)
title_full (Faire) juger l’image de la précarité dans les films muets (1897-1926)
title_fullStr (Faire) juger l’image de la précarité dans les films muets (1897-1926)
title_full_unstemmed (Faire) juger l’image de la précarité dans les films muets (1897-1926)
title_sort (faire) juger l’image de la précarité dans les films muets (1897-1926)
publisher Centre d´Histoire et Théorie des Arts
publishDate 2021
url https://doaj.org/article/8b15d24fa3b340dbb1962c8f8fe6a23d
work_keys_str_mv AT sylvainlouet fairejugerlimagedelaprecaritedanslesfilmsmuets18971926
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