VENİCE AS A HETEROTOPIA

Thomas Mann is one of the most important writers of German literature. In this study, Thomas Mann's work “Death in Venice” is examined on a spatial and corporal basis. In his work “Death in Venice”, Thomas Mann describes Gustav von Aschenbach's travel to Venice to break the vicious circle...

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Autor principal:	Kadir ALBAYRAK
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	thomas mann death in venice venice heterotopia utopian body Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/8b383219a6d844759fc2c85912866afc
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id	oai:doaj.org-article:8b383219a6d844759fc2c85912866afc
record_format	dspace
spelling	oai:doaj.org-article:8b383219a6d844759fc2c85912866afc2021-11-24T09:20:37ZVENİCE AS A HETEROTOPIA2148-416310.9761/JASSS7962https://doaj.org/article/8b383219a6d844759fc2c85912866afc2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=2095565116_15-Dr.%20Kadir%20Albayrak.pdf&key=29038https://doaj.org/toc/2148-4163Thomas Mann is one of the most important writers of German literature. In this study, Thomas Mann's work “Death in Venice” is examined on a spatial and corporal basis. In his work “Death in Venice”, Thomas Mann describes Gustav von Aschenbach's travel to Venice to break the vicious circle of producing a new work. Tadzio whom Aschenbach meets in Venice, makes a different impact on the artist's soul. Two concepts stand out in the work: Space and Body. Venice is an important place that prepares the end of the artist with its historical and geographical background. The body of Tadzio, described by Aschenbach as a divine reflection of form, keeps Aschenbach in the city. In spite of the Indian cholera spread in Venice, Aschenbach does not leave the city and eventually loses his life there. In this study, Mann's Work has been examined in the context of Heterotopia and Utopian Body work of Foucault. In the light of the theoretical basis of these studies, it has been concluded that the depictions and the epidemics have transformed Venice into a heterotopy. Cholera, which leads to the death of Aschenbach and many people, turns the city of Venice into a cemetery heterotopy. The body of Tadzio, depicted in the perfection of a sculpture, manifests itself as the Utopian Body. At the end of the work Aschenbach tries to utopianize his own body with different applications, but he cannot be successful in this regard. As a result, it is seen that both the space and the body have a significant influence on the art and the end of Aschenbach.Kadir ALBAYRAKFırat Universityarticlethomas manndeath in veniceveniceheterotopiautopian bodySocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 12, Iss 77, Pp 221-232 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	thomas mann death in venice venice heterotopia utopian body Social Sciences H Social sciences (General) H1-99
spellingShingle	thomas mann death in venice venice heterotopia utopian body Social Sciences H Social sciences (General) H1-99 Kadir ALBAYRAK VENİCE AS A HETEROTOPIA
description	Thomas Mann is one of the most important writers of German literature. In this study, Thomas Mann's work “Death in Venice” is examined on a spatial and corporal basis. In his work “Death in Venice”, Thomas Mann describes Gustav von Aschenbach's travel to Venice to break the vicious circle of producing a new work. Tadzio whom Aschenbach meets in Venice, makes a different impact on the artist's soul. Two concepts stand out in the work: Space and Body. Venice is an important place that prepares the end of the artist with its historical and geographical background. The body of Tadzio, described by Aschenbach as a divine reflection of form, keeps Aschenbach in the city. In spite of the Indian cholera spread in Venice, Aschenbach does not leave the city and eventually loses his life there. In this study, Mann's Work has been examined in the context of Heterotopia and Utopian Body work of Foucault. In the light of the theoretical basis of these studies, it has been concluded that the depictions and the epidemics have transformed Venice into a heterotopy. Cholera, which leads to the death of Aschenbach and many people, turns the city of Venice into a cemetery heterotopy. The body of Tadzio, depicted in the perfection of a sculpture, manifests itself as the Utopian Body. At the end of the work Aschenbach tries to utopianize his own body with different applications, but he cannot be successful in this regard. As a result, it is seen that both the space and the body have a significant influence on the art and the end of Aschenbach.
format	article
author	Kadir ALBAYRAK
author_facet	Kadir ALBAYRAK
author_sort	Kadir ALBAYRAK
title	VENİCE AS A HETEROTOPIA
title_short	VENİCE AS A HETEROTOPIA
title_full	VENİCE AS A HETEROTOPIA
title_fullStr	VENİCE AS A HETEROTOPIA
title_full_unstemmed	VENİCE AS A HETEROTOPIA
title_sort	veni̇ce as a heterotopia
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/8b383219a6d844759fc2c85912866afc
work_keys_str_mv	AT kadiralbayrak veniceasaheterotopia
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VENİCE AS A HETEROTOPIA

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