Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus
The present study focuses on the poetics of failed festivity in William Shakespeare’s Titus Andronicus, tracing analogies between early modern festival culture, in particular the Joyous Entry of the Renaissance prince into the city, and the machinery of the play, which is set in motion by Titus. The...
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Institute of English Studies
2021
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oai:doaj.org-article:8bc2f40b00c14d0da34e18332b56806f2021-11-09T09:55:09ZRich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus10.7311/0860-5734.30.1.060860-5734https://doaj.org/article/8bc2f40b00c14d0da34e18332b56806f2021-09-01T00:00:00Zhttps://doaj.org/toc/0860-5734The present study focuses on the poetics of failed festivity in William Shakespeare’s Titus Andronicus, tracing analogies between early modern festival culture, in particular the Joyous Entry of the Renaissance prince into the city, and the machinery of the play, which is set in motion by Titus. The principal element of this machinery is the figure of Lavinia, who can be seen as the inverted version of such wonders of occa- sional architecture and civic pageantry as the automaton, the breathing sculpture and the automatic waterwork. One of the major problems explored is the confrontation of reality and fiction, or human flesh and art, in the manifestly echoic universe of the play, where the objectified automaton-like figure responds to the actions of its animators with its own stirring.Agnieszka ŻukowskaInstitute of English Studiesarticlewilliam shakespearetitus andronicuslaviniaautomatonsculptureautomatic waterworkjoyous entryEnglish languagePE1-3729English literaturePR1-9680ENAnglica. An International Journal of English Studies, Vol 30, Iss 1, Pp 79-95 (2021) |
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william shakespeare titus andronicus lavinia automaton sculpture automatic waterwork joyous entry English language PE1-3729 English literature PR1-9680 |
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william shakespeare titus andronicus lavinia automaton sculpture automatic waterwork joyous entry English language PE1-3729 English literature PR1-9680 Agnieszka Żukowska Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus |
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The present study focuses on the poetics of failed festivity in William Shakespeare’s Titus Andronicus, tracing analogies between early modern festival culture, in particular the Joyous Entry of the Renaissance prince into the city, and the machinery of the play, which is set in motion by Titus. The principal element of this machinery is the figure of Lavinia, who can be seen as the inverted version of such wonders of occa- sional architecture and civic pageantry as the automaton, the breathing sculpture and the automatic waterwork. One of the major problems explored is the confrontation of reality and fiction, or human flesh and art, in the manifestly echoic universe of the play, where the objectified automaton-like figure responds to the actions of its animators with its own stirring. |
format |
article |
author |
Agnieszka Żukowska |
author_facet |
Agnieszka Żukowska |
author_sort |
Agnieszka Żukowska |
title |
Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus |
title_short |
Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus |
title_full |
Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus |
title_fullStr |
Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus |
title_full_unstemmed |
Rich Ornaments and Delightful Engines: The Poetics of Failed Festivity and Figural Automation in William Shakespeare’s Titus Andronicus |
title_sort |
rich ornaments and delightful engines: the poetics of failed festivity and figural automation in william shakespeare’s titus andronicus |
publisher |
Institute of English Studies |
publishDate |
2021 |
url |
https://doaj.org/article/8bc2f40b00c14d0da34e18332b56806f |
work_keys_str_mv |
AT agnieszkazukowska richornamentsanddelightfulenginesthepoeticsoffailedfestivityandfiguralautomationinwilliamshakespearestitusandronicus |
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