PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE

The modern-day art having survived with the rooted changes in the establishment period of the capitalist bourgeois society in the course of the history beginning from the first quarter of the 19th Century until today re-emerges in 1950s in the aftermath of the World War II. In this regard, the thoug...

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Autor principal:	Gökçen Şahmaran CAN
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	post modernism, eclecticism, art Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/8bedd31dd2b94f34af5f58be728945c0
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spelling	oai:doaj.org-article:8bedd31dd2b94f34af5f58be728945c02021-11-24T09:20:46ZPHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE2148-416310.9761/JASSS6980https://doaj.org/article/8bedd31dd2b94f34af5f58be728945c02019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1264450006_15-Yrd.%20Do%C3%A7.%20Dr.%20G%C3%B6k%C3%A7en%20%C5%9Eahmaran%20Can.pdf&key=28249https://doaj.org/toc/2148-4163The modern-day art having survived with the rooted changes in the establishment period of the capitalist bourgeois society in the course of the history beginning from the first quarter of the 19th Century until today re-emerges in 1950s in the aftermath of the World War II. In this regard, the thought perceptions formed after the World War II have influenced all artists and movements and escalated the devastation of tradition by means of violating the most significant features of the European art and including a revolt. The artists started to cultivate the bad consequences of the bourgeois revolution in their artistic works with a new world vision and with a fact of riot. Cultural formation of the late capitalism has created a post-modern society against the oppressive and totalitarian attitude of the modernism, a society who does not believe the existence of high values and where irony, pluralism, and eclecticism have become the dialect. Post-modern artistic setting, in this context, has come against the aesthetics based classic artistic approach with a nihilist attitude and dignified a reaction oriented expression. It has showed an “eclectic” approach which couples the pieces together without considering the structure of the whole, instead of a fictional system hierarchy in the formation of the works. With the effects of the industrial age depressions to the end of the twentieth century, mostly in USA, the fact that “modernist oppressions caused the human’s ego forgotten” took effect in USA also in a short time. Among the artists focusing on belief end existence problematic, the Neo-expressionist David Salle has become an outstanding character of the post-modern panting with his eclectic works at the beginning of the 1970s.Gökçen Şahmaran CANFırat Universityarticlepostmodernism, eclecticism, artSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 10, Iss 56, Pp 239-248 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	post modernism, eclecticism, art Social Sciences H Social sciences (General) H1-99
spellingShingle	post modernism, eclecticism, art Social Sciences H Social sciences (General) H1-99 Gökçen Şahmaran CAN PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE
description	The modern-day art having survived with the rooted changes in the establishment period of the capitalist bourgeois society in the course of the history beginning from the first quarter of the 19th Century until today re-emerges in 1950s in the aftermath of the World War II. In this regard, the thought perceptions formed after the World War II have influenced all artists and movements and escalated the devastation of tradition by means of violating the most significant features of the European art and including a revolt. The artists started to cultivate the bad consequences of the bourgeois revolution in their artistic works with a new world vision and with a fact of riot. Cultural formation of the late capitalism has created a post-modern society against the oppressive and totalitarian attitude of the modernism, a society who does not believe the existence of high values and where irony, pluralism, and eclecticism have become the dialect. Post-modern artistic setting, in this context, has come against the aesthetics based classic artistic approach with a nihilist attitude and dignified a reaction oriented expression. It has showed an “eclectic” approach which couples the pieces together without considering the structure of the whole, instead of a fictional system hierarchy in the formation of the works. With the effects of the industrial age depressions to the end of the twentieth century, mostly in USA, the fact that “modernist oppressions caused the human’s ego forgotten” took effect in USA also in a short time. Among the artists focusing on belief end existence problematic, the Neo-expressionist David Salle has become an outstanding character of the post-modern panting with his eclectic works at the beginning of the 1970s.
format	article
author	Gökçen Şahmaran CAN
author_facet	Gökçen Şahmaran CAN
author_sort	Gökçen Şahmaran CAN
title	PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE
title_short	PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE
title_full	PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE
title_fullStr	PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE
title_full_unstemmed	PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE
title_sort	phenomenon of eclecticism in the post-modern period and david salle
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/8bedd31dd2b94f34af5f58be728945c0
work_keys_str_mv	AT gokcensahmarancan phenomenonofeclecticisminthepostmodernperiodanddavidsalle
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PHENOMENON OF ECLECTICISM IN THE POST-MODERN PERIOD AND DAVID SALLE

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