L’histoire complexe du muralisme en Sardaigne
The purpose of this article is to show a complex history, made of overlapping traditions, adaptations of models from other practices (such as the militant tradition of writing on the walls) which have built the murals phenomenon in Sardinia over time. By describing the context of the emergence of th...
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Centre de Recherches sur les Mondes Américains
2014
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oai:doaj.org-article:8bf17987b0cd41a68e90816a7ee8e30e2021-12-02T10:29:05ZL’histoire complexe du muralisme en Sardaigne1626-025210.4000/nuevomundo.66333https://doaj.org/article/8bf17987b0cd41a68e90816a7ee8e30e2014-01-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/66333https://doaj.org/toc/1626-0252The purpose of this article is to show a complex history, made of overlapping traditions, adaptations of models from other practices (such as the militant tradition of writing on the walls) which have built the murals phenomenon in Sardinia over time. By describing the context of the emergence of this phenomenon and tracking physical, symbolic and practical changes that have affected these paintings, we show these adaptations, variations and deviations that made the street art murals in Sardinia become a militant protest and more recently a strategy for public policy action and tourist operators.Francesca CozzolinoCentre de Recherches sur les Mondes Américainsarticlemuralsheritageprotest strategieswriting practicesethnography of artistic practicesAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2014) |
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EN FR PT |
topic |
murals heritage protest strategies writing practices ethnography of artistic practices Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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murals heritage protest strategies writing practices ethnography of artistic practices Anthropology GN1-890 Latin America. Spanish America F1201-3799 Francesca Cozzolino L’histoire complexe du muralisme en Sardaigne |
description |
The purpose of this article is to show a complex history, made of overlapping traditions, adaptations of models from other practices (such as the militant tradition of writing on the walls) which have built the murals phenomenon in Sardinia over time. By describing the context of the emergence of this phenomenon and tracking physical, symbolic and practical changes that have affected these paintings, we show these adaptations, variations and deviations that made the street art murals in Sardinia become a militant protest and more recently a strategy for public policy action and tourist operators. |
format |
article |
author |
Francesca Cozzolino |
author_facet |
Francesca Cozzolino |
author_sort |
Francesca Cozzolino |
title |
L’histoire complexe du muralisme en Sardaigne |
title_short |
L’histoire complexe du muralisme en Sardaigne |
title_full |
L’histoire complexe du muralisme en Sardaigne |
title_fullStr |
L’histoire complexe du muralisme en Sardaigne |
title_full_unstemmed |
L’histoire complexe du muralisme en Sardaigne |
title_sort |
l’histoire complexe du muralisme en sardaigne |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2014 |
url |
https://doaj.org/article/8bf17987b0cd41a68e90816a7ee8e30e |
work_keys_str_mv |
AT francescacozzolino lhistoirecomplexedumuralismeensardaigne |
_version_ |
1718397184701890560 |