Cultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts
While a consensus has emerged on the importance of creativity in graphic design and multimedia field, little systematic research has attempted to understand its facilitators or inhibitors in the graphic and multimedia education across colleges and universities. The current investigation surveys a sa...
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2021
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oai:doaj.org-article:8c396b65d4694ae58ee75bf3c006c8432021-11-18T00:33:48ZCultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts2158-244010.1177/21582440211058198https://doaj.org/article/8c396b65d4694ae58ee75bf3c006c8432021-11-01T00:00:00Zhttps://doi.org/10.1177/21582440211058198https://doaj.org/toc/2158-2440While a consensus has emerged on the importance of creativity in graphic design and multimedia field, little systematic research has attempted to understand its facilitators or inhibitors in the graphic and multimedia education across colleges and universities. The current investigation surveys a sample of experts as well as professors teaching across the Arab World concerning their perceptions on the most significant correlates of creative thinking among students. Results point to the importance of: (1) instructors’ engagement; (2) appropriate use of instructional strategies, tools, and resources; (3) institutional support; (4) peer support; and (5) the removal of red-tape regulatory frameworks. Most importantly, this research highlights the need to move away from the rigid higher education creativity model assuming perfection, precision, accuracy, and optimal effectiveness to a more flexible creativity framework. The Multi-Layered Autonomous Phases Model (MLAPM) is proposed as an alternative approach to cultivating creativity at the higher education level. The MLAPM applies to all levels beginning with the students and the instructor in the classroom and all instructional tools applied, moving upward to the institutional administration levels. The model offers cost-effective, flexible, dynamic, and effective practices that improve levels of creativity and creative thinking among students without the need to invest in new costly equipment, tools, curriculum, or instructional programs.Elsayed Abdelwahed ElkilanyWael YousefSAGE PublishingarticleHistory of scholarship and learning. The humanitiesAZ20-999Social SciencesHENSAGE Open, Vol 11 (2021) |
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History of scholarship and learning. The humanities AZ20-999 Social Sciences H |
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History of scholarship and learning. The humanities AZ20-999 Social Sciences H Elsayed Abdelwahed Elkilany Wael Yousef Cultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts |
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While a consensus has emerged on the importance of creativity in graphic design and multimedia field, little systematic research has attempted to understand its facilitators or inhibitors in the graphic and multimedia education across colleges and universities. The current investigation surveys a sample of experts as well as professors teaching across the Arab World concerning their perceptions on the most significant correlates of creative thinking among students. Results point to the importance of: (1) instructors’ engagement; (2) appropriate use of instructional strategies, tools, and resources; (3) institutional support; (4) peer support; and (5) the removal of red-tape regulatory frameworks. Most importantly, this research highlights the need to move away from the rigid higher education creativity model assuming perfection, precision, accuracy, and optimal effectiveness to a more flexible creativity framework. The Multi-Layered Autonomous Phases Model (MLAPM) is proposed as an alternative approach to cultivating creativity at the higher education level. The MLAPM applies to all levels beginning with the students and the instructor in the classroom and all instructional tools applied, moving upward to the institutional administration levels. The model offers cost-effective, flexible, dynamic, and effective practices that improve levels of creativity and creative thinking among students without the need to invest in new costly equipment, tools, curriculum, or instructional programs. |
format |
article |
author |
Elsayed Abdelwahed Elkilany Wael Yousef |
author_facet |
Elsayed Abdelwahed Elkilany Wael Yousef |
author_sort |
Elsayed Abdelwahed Elkilany |
title |
Cultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts |
title_short |
Cultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts |
title_full |
Cultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts |
title_fullStr |
Cultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts |
title_full_unstemmed |
Cultivating Creativity of Graphic Design and Multimedia Students: The Perceptions of Arab Faculty and Experts |
title_sort |
cultivating creativity of graphic design and multimedia students: the perceptions of arab faculty and experts |
publisher |
SAGE Publishing |
publishDate |
2021 |
url |
https://doaj.org/article/8c396b65d4694ae58ee75bf3c006c843 |
work_keys_str_mv |
AT elsayedabdelwahedelkilany cultivatingcreativityofgraphicdesignandmultimediastudentstheperceptionsofarabfacultyandexperts AT waelyousef cultivatingcreativityofgraphicdesignandmultimediastudentstheperceptionsofarabfacultyandexperts |
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