Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina

This article will explore two events: the first one that took place in October 1979, under the argentinian last dictatorship regime; and the second one occurred later, in April 1984, in the first months of democracy. The common thread among them was to have promoted the placement of the Holocaust (t...

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Autores principales:	Laura Schenquer, Eduardo Raíces
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2014
Materias:	Holocaust Argentina Military Human Rights dictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/8ce78b31b7714d62af8d2b5eea6e8c1d
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spelling	oai:doaj.org-article:8ce78b31b7714d62af8d2b5eea6e8c1d2021-12-02T10:27:04ZUna narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina1626-025210.4000/nuevomundo.66305https://doaj.org/article/8ce78b31b7714d62af8d2b5eea6e8c1d2014-01-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/66305https://doaj.org/toc/1626-0252This article will explore two events: the first one that took place in October 1979, under the argentinian last dictatorship regime; and the second one occurred later, in April 1984, in the first months of democracy. The common thread among them was to have promoted the placement of the Holocaust (the term used to call the Nazi’s genocide of the Jewish population, that became the symbol or most important reference of the persecution and violence organized by the State) to refer critically to the military dictatorship in Argentina. However, none of these attempts succeeded in its mission. They were questioned and hampered, and so they failed as metaphors of the situation of terror and repression. The interesting thing is that it was not the state censorship during the dictatorship neither it was the democracy official discourse that limited these actions but, as we will show, were another civil actors who opposed. Our hypothesis is these actors acted according to their logical and traditional principles that determined the same behavior during different periods, while other actors used the Holocaust to make sense of what they conceived as a critical time.Laura SchenquerEduardo RaícesCentre de Recherches sur les Mondes AméricainsarticleHolocaustArgentinaMilitaryHuman RightsdictatorshipAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2014)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	Holocaust Argentina Military Human Rights dictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	Holocaust Argentina Military Human Rights dictatorship Anthropology GN1-890 Latin America. Spanish America F1201-3799 Laura Schenquer Eduardo Raíces Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina
description	This article will explore two events: the first one that took place in October 1979, under the argentinian last dictatorship regime; and the second one occurred later, in April 1984, in the first months of democracy. The common thread among them was to have promoted the placement of the Holocaust (the term used to call the Nazi’s genocide of the Jewish population, that became the symbol or most important reference of the persecution and violence organized by the State) to refer critically to the military dictatorship in Argentina. However, none of these attempts succeeded in its mission. They were questioned and hampered, and so they failed as metaphors of the situation of terror and repression. The interesting thing is that it was not the state censorship during the dictatorship neither it was the democracy official discourse that limited these actions but, as we will show, were another civil actors who opposed. Our hypothesis is these actors acted according to their logical and traditional principles that determined the same behavior during different periods, while other actors used the Holocaust to make sense of what they conceived as a critical time.
format	article
author	Laura Schenquer Eduardo Raíces
author_facet	Laura Schenquer Eduardo Raíces
author_sort	Laura Schenquer
title	Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina
title_short	Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina
title_full	Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina
title_fullStr	Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina
title_full_unstemmed	Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina
title_sort	una narrativa fallida: holocausto, humor y denuncia ante la última dictadura cívico-militar argentina
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2014
url	https://doaj.org/article/8ce78b31b7714d62af8d2b5eea6e8c1d
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Una narrativa fallida: Holocausto, humor y denuncia ante la última dictadura cívico-militar argentina

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