MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS

Art is a communication tool between the person performing it and the audience and societies and more importantly between ages. When exposing an art object People presented those products of theirs to the audience via using different tools.When it is thought in the light of these information the fact...

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Autores principales:	Mehmet Ali GÖKDEMİR, Gonca Hülya YAYAN
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	ceramic modern turkish ceramic art form color and additional materials Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/8eca9b61a9864eb3935e45f2f60bf270
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spelling	oai:doaj.org-article:8eca9b61a9864eb3935e45f2f60bf2702021-11-24T09:20:39ZMUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS2148-416310.9761/JASSS7694https://doaj.org/article/8eca9b61a9864eb3935e45f2f60bf2702019-10-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=513588_18-%C3%96%C4%9Fretmen%20Mehmet%20Ali%20G%C3%B6kdemir.pdf&key=28832https://doaj.org/toc/2148-4163Art is a communication tool between the person performing it and the audience and societies and more importantly between ages. When exposing an art object People presented those products of theirs to the audience via using different tools.When it is thought in the light of these information the fact of art is addressed as a different discipline within the meaning imposed to it. Among those disciplines ceramic products have been produced as daily use items for thousands of years. The ceramic art that people performed since very early ages is formed via shaping clay with differenttechniques. Towards the end of twentieth centuryceramic became more popular when it is transformed from being a craft to being an art with the magical touches of artists such as Pablo Picasso and Joan Miro.Whereas ceramic use as a material in sculpture initiated in 1925 in the West, this usage started in 1950s in our country with the lead of FureyaKoral and kept progressing in 1970s. (Mülayim Oral, 2005)The ceramic sculpture that has been started to be shaped with those Works, reached its deserved place with the significant artworks of artists such as AyferKaramani and JaleYilmabasar. Today, it is known that artists such as Mustafa Tuncalp and TufanDagistanli create significant artworks in the field of ceramic sculpture with the inspirations of birds. In this work literature search and document inspection methods within the qualitative research methods were used.As a result of the research, when the artworks of the both artists are evaluated with the variables such as form, color, and additional materials it is seen that they purified and abstracted the forms by using different forms from time to time. In this work, artworks of Mustafa Tuncalp and TufanDagistanli who are important artists of modern Turkish ceramic art are evaluated in terms of variables such as form, color and additional material usage.Mehmet Ali GÖKDEMİRGonca Hülya YAYANFırat Universityarticleceramicmodern turkish ceramic artformcolor and additional materialsSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 11, Iss 71, Pp 303-318 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	ceramic modern turkish ceramic art form color and additional materials Social Sciences H Social sciences (General) H1-99
spellingShingle	ceramic modern turkish ceramic art form color and additional materials Social Sciences H Social sciences (General) H1-99 Mehmet Ali GÖKDEMİR Gonca Hülya YAYAN MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS
description	Art is a communication tool between the person performing it and the audience and societies and more importantly between ages. When exposing an art object People presented those products of theirs to the audience via using different tools.When it is thought in the light of these information the fact of art is addressed as a different discipline within the meaning imposed to it. Among those disciplines ceramic products have been produced as daily use items for thousands of years. The ceramic art that people performed since very early ages is formed via shaping clay with differenttechniques. Towards the end of twentieth centuryceramic became more popular when it is transformed from being a craft to being an art with the magical touches of artists such as Pablo Picasso and Joan Miro.Whereas ceramic use as a material in sculpture initiated in 1925 in the West, this usage started in 1950s in our country with the lead of FureyaKoral and kept progressing in 1970s. (Mülayim Oral, 2005)The ceramic sculpture that has been started to be shaped with those Works, reached its deserved place with the significant artworks of artists such as AyferKaramani and JaleYilmabasar. Today, it is known that artists such as Mustafa Tuncalp and TufanDagistanli create significant artworks in the field of ceramic sculpture with the inspirations of birds. In this work literature search and document inspection methods within the qualitative research methods were used.As a result of the research, when the artworks of the both artists are evaluated with the variables such as form, color, and additional materials it is seen that they purified and abstracted the forms by using different forms from time to time. In this work, artworks of Mustafa Tuncalp and TufanDagistanli who are important artists of modern Turkish ceramic art are evaluated in terms of variables such as form, color and additional material usage.
format	article
author	Mehmet Ali GÖKDEMİR Gonca Hülya YAYAN
author_facet	Mehmet Ali GÖKDEMİR Gonca Hülya YAYAN
author_sort	Mehmet Ali GÖKDEMİR
title	MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS
title_short	MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS
title_full	MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS
title_fullStr	MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS
title_full_unstemmed	MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS
title_sort	mustafa tunçalp and evaluation of bird sculpture on tufan dagistanli`s ceramic in terms of form color and additional materials
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/8eca9b61a9864eb3935e45f2f60bf270
work_keys_str_mv	AT mehmetaligokdemir mustafatuncalpandevaluationofbirdsculptureontufandagistanlisceramicintermsofformcolorandadditionalmaterials AT goncahulyayayan mustafatuncalpandevaluationofbirdsculptureontufandagistanlisceramicintermsofformcolorandadditionalmaterials
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MUSTAFA TUNÇALP AND EVALUATION OF BIRD SCULPTURE ON TUFAN DAGISTANLI`S CERAMIC IN TERMS OF FORM COLOR AND ADDITIONAL MATERIALS

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