Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics

The article deals with the issue related to the peculiarities of the functioning of the “Kazan text” in the works of R. Kutui, R. Bukharaev, E. Blinova and L. Gazizova. The relevance of the study is due to the growing interest of scientists in such types of discourse as supertext. The author proceed...

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Autor principal:	V. R. Amineva
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	urban text chronotope subjective sphere r. kutui r. bukharaev e. blinova l. gazizova Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/8f3bc660eb0e4d9a8970e98bc44f1ae1
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id	oai:doaj.org-article:8f3bc660eb0e4d9a8970e98bc44f1ae1
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spelling	oai:doaj.org-article:8f3bc660eb0e4d9a8970e98bc44f1ae12021-12-02T07:58:12ZTopos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics2225-756X2227-129510.24224/2227-1295-2020-11-177-192https://doaj.org/article/8f3bc660eb0e4d9a8970e98bc44f1ae12020-12-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2147https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article deals with the issue related to the peculiarities of the functioning of the “Kazan text” in the works of R. Kutui, R. Bukharaev, E. Blinova and L. Gazizova. The relevance of the study is due to the growing interest of scientists in such types of discourse as supertext. The author proceeds from the fact that the poetics of artistic space is associated with the types of subjective-figurative structures that are formed in the poetry of poets. The novelty of the research is seen in the fact that the types of dialogical relations between lyrical subjects and the city are highlighted. It is shown that Kazan in the works of poets embodies the transpersonal and external in relation to the main lyrical situation and its heroes. It is concluded that in the poetry of R. Kutui, a multifaceted image of the city is created, with which the lyrical hero establishes relations of unity and interpenetration. It is emphasized that in the works of R. Bukharaev, the attitude to his hometown is ambivalent and reflects the “fluidity”, the variability of the “I” position. The results of a comparative analysis of the lyrics of E. Blinova and L. Gazizova are presented: Kazan in the works of E. Blinova is a generalized-typical image that objectifies the stages of the heroine’s biography; the urban world of L. Gazizova is extremely concrete and comprehended as an individual-personal space of life.V. R. AminevaTsentr nauchnykh i obrazovatelnykh proektovarticleurban textchronotopesubjective spherer. kutuir. bukharaeve. blinoval. gazizovaSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 1, Iss 11, Pp 177-192 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	urban text chronotope subjective sphere r. kutui r. bukharaev e. blinova l. gazizova Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	urban text chronotope subjective sphere r. kutui r. bukharaev e. blinova l. gazizova Slavic languages. Baltic languages. Albanian languages PG1-9665 V. R. Amineva Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics
description	The article deals with the issue related to the peculiarities of the functioning of the “Kazan text” in the works of R. Kutui, R. Bukharaev, E. Blinova and L. Gazizova. The relevance of the study is due to the growing interest of scientists in such types of discourse as supertext. The author proceeds from the fact that the poetics of artistic space is associated with the types of subjective-figurative structures that are formed in the poetry of poets. The novelty of the research is seen in the fact that the types of dialogical relations between lyrical subjects and the city are highlighted. It is shown that Kazan in the works of poets embodies the transpersonal and external in relation to the main lyrical situation and its heroes. It is concluded that in the poetry of R. Kutui, a multifaceted image of the city is created, with which the lyrical hero establishes relations of unity and interpenetration. It is emphasized that in the works of R. Bukharaev, the attitude to his hometown is ambivalent and reflects the “fluidity”, the variability of the “I” position. The results of a comparative analysis of the lyrics of E. Blinova and L. Gazizova are presented: Kazan in the works of E. Blinova is a generalized-typical image that objectifies the stages of the heroine’s biography; the urban world of L. Gazizova is extremely concrete and comprehended as an individual-personal space of life.
format	article
author	V. R. Amineva
author_facet	V. R. Amineva
author_sort	V. R. Amineva
title	Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics
title_short	Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics
title_full	Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics
title_fullStr	Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics
title_full_unstemmed	Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics
title_sort	topos of kazan in russian poetry of the late xx — early xxi centuries: features of functioning and poetics
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/8f3bc660eb0e4d9a8970e98bc44f1ae1
work_keys_str_mv	AT vramineva toposofkazaninrussianpoetryofthelatexxearlyxxicenturiesfeaturesoffunctioningandpoetics
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Topos of Kazan in Russian Poetry of the Late XX — Early XXI Centuries: Features of Functioning and Poetics

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