Naipaul's Magic Seeds: A Parody of Political Mimicry

As a colonial author, Naipaul is deeply concerned with the exploration of the nature of the colony from a cultural and a political perspective. Being of Indian descent, his interest in pondering over Indian history and understanding its cultural identity is central to his fiction. In Magic Seeds Nai...

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Autor principal: Miren Karmele Díaz de Olarte
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Publicado: Universitat Autònoma de Barcelona 2019
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Acceso en línea:https://doaj.org/article/8f847c6b860c44a4a503c39a1a215aea
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spelling oai:doaj.org-article:8f847c6b860c44a4a503c39a1a215aea2021-12-02T17:00:41ZNaipaul's Magic Seeds: A Parody of Political Mimicry2339-852310.5565/rev/indialogs.116https://doaj.org/article/8f847c6b860c44a4a503c39a1a215aea2019-04-01T00:00:00Zhttps://revistes.uab.cat/indialogs/article/view/116https://doaj.org/toc/2339-8523As a colonial author, Naipaul is deeply concerned with the exploration of the nature of the colony from a cultural and a political perspective. Being of Indian descent, his interest in pondering over Indian history and understanding its cultural identity is central to his fiction. In Magic Seeds Naipaul moves from the colonial India under British rule where the protagonist, Willie Chandran, was born to a post-independence rural India besieged by a Maoist insurgent group whose aim was to fight poverty and be trusted by poor villagers.  Drawing from Bhabha’s concept of mimicry which holds that the colonized seeks to copy the colonizer thus producing a subject who is "almost the same, but not quite," (Bhabha, 1994:86). This paper seeks to read Magic Seeds as a fictional parody of political mimicry based upon the information on the movement provided by Dipanjan and Debu in India: A Million Mutinies Now. Following Willie Chandran’s trials and tribulations as a member of a Maoist guerrilla in India, Naipaul dissects the divorce between foreign political discourse and Indian cultural heritage.Miren Karmele Díaz de OlarteUniversitat Autònoma de BarcelonaarticleindiaintertextualitymimicrymaoismnaxalismparodypeasantsGeneral WorksAENESIndialogs: Spanish Journal of India Studies, Vol 6, Iss 0, Pp 81-96 (2019)
institution DOAJ
collection DOAJ
language EN
ES
topic india
intertextuality
mimicry
maoism
naxalism
parody
peasants
General Works
A
spellingShingle india
intertextuality
mimicry
maoism
naxalism
parody
peasants
General Works
A
Miren Karmele Díaz de Olarte
Naipaul's Magic Seeds: A Parody of Political Mimicry
description As a colonial author, Naipaul is deeply concerned with the exploration of the nature of the colony from a cultural and a political perspective. Being of Indian descent, his interest in pondering over Indian history and understanding its cultural identity is central to his fiction. In Magic Seeds Naipaul moves from the colonial India under British rule where the protagonist, Willie Chandran, was born to a post-independence rural India besieged by a Maoist insurgent group whose aim was to fight poverty and be trusted by poor villagers.  Drawing from Bhabha’s concept of mimicry which holds that the colonized seeks to copy the colonizer thus producing a subject who is "almost the same, but not quite," (Bhabha, 1994:86). This paper seeks to read Magic Seeds as a fictional parody of political mimicry based upon the information on the movement provided by Dipanjan and Debu in India: A Million Mutinies Now. Following Willie Chandran’s trials and tribulations as a member of a Maoist guerrilla in India, Naipaul dissects the divorce between foreign political discourse and Indian cultural heritage.
format article
author Miren Karmele Díaz de Olarte
author_facet Miren Karmele Díaz de Olarte
author_sort Miren Karmele Díaz de Olarte
title Naipaul's Magic Seeds: A Parody of Political Mimicry
title_short Naipaul's Magic Seeds: A Parody of Political Mimicry
title_full Naipaul's Magic Seeds: A Parody of Political Mimicry
title_fullStr Naipaul's Magic Seeds: A Parody of Political Mimicry
title_full_unstemmed Naipaul's Magic Seeds: A Parody of Political Mimicry
title_sort naipaul's magic seeds: a parody of political mimicry
publisher Universitat Autònoma de Barcelona
publishDate 2019
url https://doaj.org/article/8f847c6b860c44a4a503c39a1a215aea
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