Telling stories that nobody wants to hear
Australian director Robert Connolly’s aspiration for his film Balibo—and the challenge of bringing it to a wider audience—was similar. As was his take on our propensity for not wanting to know. Certainly the death of the six Australian-based journalists—including New Zealander Gary Cunningham—seeki...
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| Formato: | article |
| Lenguaje: | EN |
| Publicado: |
Asia Pacific Network
2010
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| Acceso en línea: | https://doaj.org/article/8fd2b26a85894d1b81cd1e630a14c6bb |
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| Sumario: | Australian director Robert Connolly’s aspiration for his film Balibo—and the challenge of bringing it to a wider audience—was similar. As was his take on our propensity for not wanting to know. Certainly the death of the six Australian-based journalists—including New Zealander Gary Cunningham—seeking to tell the truth about Indonesia’s invasion of East Timor in 1975 was an episode that Australians, or more particularly their politicians, didn’t want to know about. Not then, not now, and not over the intervening period, when dreadful crimes were being perpetrated in Timor and Australian governments were averting their eyes, shamefully, in our name.
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