Gender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue

Feminist street art aims to transform patriarchal spaces into places of gendered resistance by asserting a feminist presence in the city. Considering this, as well as women’s social life, their struggle against lingering forces of patriarchy, and relating features of inequality (domestic violence),...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autores principales: Hooshmand Alizadeh, Josef Kohlbacher, Rozhen Kamal Mohammed-Amin, Tabin Latif Raouf
Formato: article
Lenguaje:EN
Publicado: Cogitatio 2021
Materias:
Acceso en línea:https://doaj.org/article/8fd718a49f154f7a814be34757301633
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:8fd718a49f154f7a814be34757301633
record_format dspace
spelling oai:doaj.org-article:8fd718a49f154f7a814be347573016332021-11-30T10:00:21ZGender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue2183-280310.17645/si.v9i4.4374https://doaj.org/article/8fd718a49f154f7a814be347573016332021-11-01T00:00:00Zhttps://www.cogitatiopress.com/socialinclusion/article/view/4374https://doaj.org/toc/2183-2803Feminist street art aims to transform patriarchal spaces into places of gendered resistance by asserting a feminist presence in the city. Considering this, as well as women’s social life, their struggle against lingering forces of patriarchy, and relating features of inequality (domestic violence), there was a feminist installation artwork by the young Kurdish artist Tara Abdulla that shook the city of Sulaimani in Iraqi Kurdistan on 26 October 2020. She had prepared a 4,800‐meter‐long washing line covered with the clothes of 99,678 Kurdish women who were survivors of sexual and gender‐based violence. They installed it along the busiest street of the city (Salim Street). She used this piece of feminine to express her reaction to the Kurdish society regarding, the abuse that goes on silently, behind closed doors. She also aimed towards normalizing women’s bodies. After the installation, she received many controversial reactions. As her artwork was a pioneering project in line with feminist issues in Kurdistan which preoccupied the city for quite a while, the aim of this article is to investigate the diverse effects of her work on the current dialogue regarding gender inequality in the Kurdish society. To do this, we used the research method of content analysis on big data (Facebook comments) to investigate the public reactions of a larger number of locals. The Feminine effectively exposed some of the deep‐rooted cultural, religious, and social barriers in addressing gender inequalities and silent sexual violence issues in the modern Kurdish patriarchal society.Hooshmand AlizadehJosef KohlbacherRozhen Kamal Mohammed-AminTabin Latif RaoufCogitatioarticlefacebook reactionsfeminist street artgender inequalities dialoguekurdish womenpublic spacesulaimaniSociology (General)HM401-1281ENSocial Inclusion, Vol 9, Iss 4, Pp 158-167 (2021)
institution DOAJ
collection DOAJ
language EN
topic facebook reactions
feminist street art
gender inequalities dialogue
kurdish women
public space
sulaimani
Sociology (General)
HM401-1281
spellingShingle facebook reactions
feminist street art
gender inequalities dialogue
kurdish women
public space
sulaimani
Sociology (General)
HM401-1281
Hooshmand Alizadeh
Josef Kohlbacher
Rozhen Kamal Mohammed-Amin
Tabin Latif Raouf
Gender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue
description Feminist street art aims to transform patriarchal spaces into places of gendered resistance by asserting a feminist presence in the city. Considering this, as well as women’s social life, their struggle against lingering forces of patriarchy, and relating features of inequality (domestic violence), there was a feminist installation artwork by the young Kurdish artist Tara Abdulla that shook the city of Sulaimani in Iraqi Kurdistan on 26 October 2020. She had prepared a 4,800‐meter‐long washing line covered with the clothes of 99,678 Kurdish women who were survivors of sexual and gender‐based violence. They installed it along the busiest street of the city (Salim Street). She used this piece of feminine to express her reaction to the Kurdish society regarding, the abuse that goes on silently, behind closed doors. She also aimed towards normalizing women’s bodies. After the installation, she received many controversial reactions. As her artwork was a pioneering project in line with feminist issues in Kurdistan which preoccupied the city for quite a while, the aim of this article is to investigate the diverse effects of her work on the current dialogue regarding gender inequality in the Kurdish society. To do this, we used the research method of content analysis on big data (Facebook comments) to investigate the public reactions of a larger number of locals. The Feminine effectively exposed some of the deep‐rooted cultural, religious, and social barriers in addressing gender inequalities and silent sexual violence issues in the modern Kurdish patriarchal society.
format article
author Hooshmand Alizadeh
Josef Kohlbacher
Rozhen Kamal Mohammed-Amin
Tabin Latif Raouf
author_facet Hooshmand Alizadeh
Josef Kohlbacher
Rozhen Kamal Mohammed-Amin
Tabin Latif Raouf
author_sort Hooshmand Alizadeh
title Gender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue
title_short Gender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue
title_full Gender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue
title_fullStr Gender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue
title_full_unstemmed Gender Inequalities and the Effects of Feminine Artworks on Public Spaces: A Dialogue
title_sort gender inequalities and the effects of feminine artworks on public spaces: a dialogue
publisher Cogitatio
publishDate 2021
url https://doaj.org/article/8fd718a49f154f7a814be34757301633
work_keys_str_mv AT hooshmandalizadeh genderinequalitiesandtheeffectsoffeminineartworksonpublicspacesadialogue
AT josefkohlbacher genderinequalitiesandtheeffectsoffeminineartworksonpublicspacesadialogue
AT rozhenkamalmohammedamin genderinequalitiesandtheeffectsoffeminineartworksonpublicspacesadialogue
AT tabinlatifraouf genderinequalitiesandtheeffectsoffeminineartworksonpublicspacesadialogue
_version_ 1718406697556377600