A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR

When the western theater, which takes its source from Europe and the conflicts of life, is observed we see there are old ages appeared. In Turkish geography, the execution area of this art which originally based on imitation, is traditional games until the Tanzimat period. Our literature, which reco...

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Autor principal:	Bedia KOÇAKOĞLU
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	theatre in tanzimat period, k., keşf i esrâr, british exploitation, india Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/907a741a235244e397211fc9522c9d5b
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spelling	oai:doaj.org-article:907a741a235244e397211fc9522c9d5b2021-11-24T09:21:07ZA CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR2148-416310.9761/jasss_487https://doaj.org/article/907a741a235244e397211fc9522c9d5b2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1678057787_ko%C3%A7ako%C4%9Flubedia_T.pdf&key=26434https://doaj.org/toc/2148-4163When the western theater, which takes its source from Europe and the conflicts of life, is observed we see there are old ages appeared. In Turkish geography, the execution area of this art which originally based on imitation, is traditional games until the Tanzimat period. Our literature, which recognized European wise theatre in Tanzimat period, perceive the world at the Westernizated point and the texts have played important and influental role in change and conversion of the society in this stage. The plays of this period can be grouped as comedies, verse dramas, romantic dramas, melodramas, emotional dramas and musical plays. Abdulhak Hâmid Tarhan who wrote Duhter-i Hindû (Desi Girl) in type of romantic drama reffering the issue of Indian, attracted the attention. A few years later, work of Keşf-i Esrâr (Discovery of the Secret) is also about the Indians under British exploitation story in the context of a love. Although the work had a weak fiction, drawn attention with its point of view which was negating the British people and stand by Indian side. The work of Keşf-i Esrâr both shows similarities between Hamid’s works by its perspective and the subject and also has allusions Hugo’s Cromwell. Inspiratons of author from Hugo and Hâmid should not be underestimated in his work which written about Indian traditions, customs, way of life and the beliefs morely accordance with the neo-Hinduism, which is canged by the effects Christian ones. In our study, we firstly present analysis of Keşf-i Esrâr, which transcripted by ourselves, then tried to find out the allusions in the work from Hâmid and Hugo and retain the place of the work in the theatre of the Tanziman period.Bedia KOÇAKOĞLUFırat Universityarticletheatre in tanzimat period, k., keşfi esrâr, british exploitation, indiaSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 5, Iss 15, Pp 851-866 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	theatre in tanzimat period, k., keşf i esrâr, british exploitation, india Social Sciences H Social sciences (General) H1-99
spellingShingle	theatre in tanzimat period, k., keşf i esrâr, british exploitation, india Social Sciences H Social sciences (General) H1-99 Bedia KOÇAKOĞLU A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR
description	When the western theater, which takes its source from Europe and the conflicts of life, is observed we see there are old ages appeared. In Turkish geography, the execution area of this art which originally based on imitation, is traditional games until the Tanzimat period. Our literature, which recognized European wise theatre in Tanzimat period, perceive the world at the Westernizated point and the texts have played important and influental role in change and conversion of the society in this stage. The plays of this period can be grouped as comedies, verse dramas, romantic dramas, melodramas, emotional dramas and musical plays. Abdulhak Hâmid Tarhan who wrote Duhter-i Hindû (Desi Girl) in type of romantic drama reffering the issue of Indian, attracted the attention. A few years later, work of Keşf-i Esrâr (Discovery of the Secret) is also about the Indians under British exploitation story in the context of a love. Although the work had a weak fiction, drawn attention with its point of view which was negating the British people and stand by Indian side. The work of Keşf-i Esrâr both shows similarities between Hamid’s works by its perspective and the subject and also has allusions Hugo’s Cromwell. Inspiratons of author from Hugo and Hâmid should not be underestimated in his work which written about Indian traditions, customs, way of life and the beliefs morely accordance with the neo-Hinduism, which is canged by the effects Christian ones. In our study, we firstly present analysis of Keşf-i Esrâr, which transcripted by ourselves, then tried to find out the allusions in the work from Hâmid and Hugo and retain the place of the work in the theatre of the Tanziman period.
format	article
author	Bedia KOÇAKOĞLU
author_facet	Bedia KOÇAKOĞLU
author_sort	Bedia KOÇAKOĞLU
title	A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR
title_short	A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR
title_full	A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR
title_fullStr	A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR
title_full_unstemmed	A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR
title_sort	cromell trial in theatre of tanzimat period: keşf-i̇ esrar
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/907a741a235244e397211fc9522c9d5b
work_keys_str_mv	AT bediakocakoglu acromelltrialintheatreoftanzimatperiodkesfiesrar AT bediakocakoglu cromelltrialintheatreoftanzimatperiodkesfiesrar
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A CROMELL TRIAL IN THEATRE OF TANZIMAT PERIOD: KEŞF-İ ESRAR

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