Cine, política y (post)estado. La libertad de Lisandro Alonso
This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical Argentine filmmakers within the so-called New Argentine Cinema “movement.” By giving the working body a central place in the image itself, this film exposes the precarization of the labor conditions...
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| Formato: | article |
| Lenguaje: | EN FR PT |
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Centre de Recherches sur les Mondes Américains
2010
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| Acceso en línea: | https://doaj.org/article/90ef7889991d4aab88615e96a2e38798 |
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| Sumario: | This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical Argentine filmmakers within the so-called New Argentine Cinema “movement.” By giving the working body a central place in the image itself, this film exposes the precarization of the labor conditions and the dissolution of the sense of community as a direct effect of the politics of neo-liberalism. But La libertad is also a meditation on cinema itself, the statute of contemporary image in late capitalism, and the possibility of a certain haptic visuality. |
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