Cine, política y (post)estado. La libertad de Lisandro Alonso

This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical Argentine filmmakers within the so-called New Argentine Cinema “movement.” By giving the working body a central place in the image itself, this film exposes the precarization of the labor conditions...

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Autor principal:	Laura M. Martins
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2010
Materias:	body labor Lisandro Alonso neo-liberal politics work Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/90ef7889991d4aab88615e96a2e38798
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id	oai:doaj.org-article:90ef7889991d4aab88615e96a2e38798
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spelling	oai:doaj.org-article:90ef7889991d4aab88615e96a2e387982021-12-02T10:39:15ZCine, política y (post)estado. La libertad de Lisandro Alonso1626-025210.4000/nuevomundo.58374https://doaj.org/article/90ef7889991d4aab88615e96a2e387982010-01-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/58374https://doaj.org/toc/1626-0252This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical Argentine filmmakers within the so-called New Argentine Cinema “movement.” By giving the working body a central place in the image itself, this film exposes the precarization of the labor conditions and the dissolution of the sense of community as a direct effect of the politics of neo-liberalism. But La libertad is also a meditation on cinema itself, the statute of contemporary image in late capitalism, and the possibility of a certain haptic visuality.Laura M. MartinsCentre de Recherches sur les Mondes AméricainsarticlebodylaborLisandro Alonsoneo-liberal politicsworkAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2010)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	body labor Lisandro Alonso neo-liberal politics work Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	body labor Lisandro Alonso neo-liberal politics work Anthropology GN1-890 Latin America. Spanish America F1201-3799 Laura M. Martins Cine, política y (post)estado. La libertad de Lisandro Alonso
description	This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical Argentine filmmakers within the so-called New Argentine Cinema “movement.” By giving the working body a central place in the image itself, this film exposes the precarization of the labor conditions and the dissolution of the sense of community as a direct effect of the politics of neo-liberalism. But La libertad is also a meditation on cinema itself, the statute of contemporary image in late capitalism, and the possibility of a certain haptic visuality.
format	article
author	Laura M. Martins
author_facet	Laura M. Martins
author_sort	Laura M. Martins
title	Cine, política y (post)estado. La libertad de Lisandro Alonso
title_short	Cine, política y (post)estado. La libertad de Lisandro Alonso
title_full	Cine, política y (post)estado. La libertad de Lisandro Alonso
title_fullStr	Cine, política y (post)estado. La libertad de Lisandro Alonso
title_full_unstemmed	Cine, política y (post)estado. La libertad de Lisandro Alonso
title_sort	cine, política y (post)estado. la libertad de lisandro alonso
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2010
url	https://doaj.org/article/90ef7889991d4aab88615e96a2e38798
work_keys_str_mv	AT laurammartins cinepoliticaypostestadolalibertaddelisandroalonso
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Cine, política y (post)estado. La libertad de Lisandro Alonso

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