Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage
The article looks at the new Danish prime-time soap opera "Taxa", asking why a usually devaluated women's genre as the soap opera has succeeded in addressing the entire family in prime time on Sunday evening. The serial is discussed in the light of Christine Gledhill's statement...
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The Royal Danish Library
1998
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| Acceso en línea: | https://doaj.org/article/91e4cce678b54b9fbf0d504b8775b045 |
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oai:doaj.org-article:91e4cce678b54b9fbf0d504b8775b0452021-12-01T00:11:30ZKøn og genre i TAXA: Følsom maskulinitet og mødre under anklage10.7146/kkf.v0i3.284492245-6937https://doaj.org/article/91e4cce678b54b9fbf0d504b8775b0451998-10-01T00:00:00Zhttps://tidsskrift.dk/KKF/article/view/28449https://doaj.org/toc/2245-6937The article looks at the new Danish prime-time soap opera "Taxa", asking why a usually devaluated women's genre as the soap opera has succeeded in addressing the entire family in prime time on Sunday evening. The serial is discussed in the light of Christine Gledhill's statement that in the new prime-time soap "melodrama and realism, women's and men's culture, intersect (...) in a particularly productive way". I conclude that while it is true that the male characters in "Taxa" are multi-dimensional personalities, women in this Danish soap opera are not only almost absent as writers and directors, but the female figures are also highly mythologized. Thus the costs of the soap genre going mainstream are marginalization and trivilization of women.Vibeke PedersenThe Royal Danish LibraryarticleSocial SciencesHDAENNBSVKvinder, Køn & Forskning, Iss 3 (1998) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
DA EN NB SV |
| topic |
Social Sciences H |
| spellingShingle |
Social Sciences H Vibeke Pedersen Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage |
| description |
The article looks at the new Danish prime-time soap opera "Taxa", asking why a usually devaluated women's genre as the soap opera has succeeded in addressing the entire family in prime time on Sunday evening. The serial is discussed in the light of Christine Gledhill's statement that in the new prime-time soap "melodrama and realism, women's and men's culture, intersect (...) in a particularly productive way". I conclude that while it is true that the male characters in "Taxa" are multi-dimensional personalities, women in this Danish soap opera are not only almost absent as writers and directors, but the female figures are also highly mythologized. Thus the costs of the soap genre going mainstream are marginalization and trivilization of women. |
| format |
article |
| author |
Vibeke Pedersen |
| author_facet |
Vibeke Pedersen |
| author_sort |
Vibeke Pedersen |
| title |
Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage |
| title_short |
Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage |
| title_full |
Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage |
| title_fullStr |
Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage |
| title_full_unstemmed |
Køn og genre i TAXA: Følsom maskulinitet og mødre under anklage |
| title_sort |
køn og genre i taxa: følsom maskulinitet og mødre under anklage |
| publisher |
The Royal Danish Library |
| publishDate |
1998 |
| url |
https://doaj.org/article/91e4cce678b54b9fbf0d504b8775b045 |
| work_keys_str_mv |
AT vibekepedersen kønoggenreitaxafølsommaskulinitetogmødreunderanklage |
| _version_ |
1718406034995806208 |