“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation

The article is devoted to the analysis of the French collection “Dans la steppe” (1902), compiled and translated by S. M. Persky, which includes the following early stories of M. Gorky: “In the steppe”, “Grandfather Arkhip and Lyonka”, “Song of the Falcon”, “Emelyan Pilyai”, “The Khan and his son”,...

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Autor principal:	T. G. Maksimova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	documentality m. gorky s. m. persky preface image of the steppe Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/92720c40b7ca4e67994a628e22abc2a1
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id	oai:doaj.org-article:92720c40b7ca4e67994a628e22abc2a1
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spelling	oai:doaj.org-article:92720c40b7ca4e67994a628e22abc2a12021-12-02T07:58:04Z“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation2225-756X2227-129510.24224/2227-1295-2018-7-191-200https://doaj.org/article/92720c40b7ca4e67994a628e22abc2a12018-07-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/856https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the analysis of the French collection “Dans la steppe” (1902), compiled and translated by S. M. Persky, which includes the following early stories of M. Gorky: “In the steppe”, “Grandfather Arkhip and Lyonka”, “Song of the Falcon”, “Emelyan Pilyai”, “The Khan and his son”, “Notch”, “Makar Chudra”, “Twenty-six and one”, “Old Woman Izergil”. Attention is paid to the preface of the collection written by Persky, in which he names facts from the life of the writer, thereby justifying the choice of stories and characterizing the main feature of the style of Gorky's early stories, manifested in the synthesis of documentary and artistic, namely, the description of the “autobiographical” space, the component of which is the image of the steppe. The author of the article dwells on the three most exhibitive in this aspect stories: “In the Steppe”, “Grandfather Arkhip and Lyonka”, “Emelyan Pilyai”. The author comes to the conclusion that Persky solves two primary tasks: first, the compiler of the collection acquaints the reader with the facts of Gorky's biography, and secondly, characterizes the author's style reflecting the transformation of the documentary style into the artistic one. It is shown that the collection, which includes stories arranged in a certain sequence, represents a story about the writer's search for his place in life.T. G. MaksimovaTsentr nauchnykh i obrazovatelnykh proektovarticledocumentalitym. gorkys. m. perskyprefaceimage of the steppeSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 7, Pp 191-200 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	documentality m. gorky s. m. persky preface image of the steppe Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	documentality m. gorky s. m. persky preface image of the steppe Slavic languages. Baltic languages. Albanian languages PG1-9665 T. G. Maksimova “Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation
description	The article is devoted to the analysis of the French collection “Dans la steppe” (1902), compiled and translated by S. M. Persky, which includes the following early stories of M. Gorky: “In the steppe”, “Grandfather Arkhip and Lyonka”, “Song of the Falcon”, “Emelyan Pilyai”, “The Khan and his son”, “Notch”, “Makar Chudra”, “Twenty-six and one”, “Old Woman Izergil”. Attention is paid to the preface of the collection written by Persky, in which he names facts from the life of the writer, thereby justifying the choice of stories and characterizing the main feature of the style of Gorky's early stories, manifested in the synthesis of documentary and artistic, namely, the description of the “autobiographical” space, the component of which is the image of the steppe. The author of the article dwells on the three most exhibitive in this aspect stories: “In the Steppe”, “Grandfather Arkhip and Lyonka”, “Emelyan Pilyai”. The author comes to the conclusion that Persky solves two primary tasks: first, the compiler of the collection acquaints the reader with the facts of Gorky's biography, and secondly, characterizes the author's style reflecting the transformation of the documentary style into the artistic one. It is shown that the collection, which includes stories arranged in a certain sequence, represents a story about the writer's search for his place in life.
format	article
author	T. G. Maksimova
author_facet	T. G. Maksimova
author_sort	T. G. Maksimova
title	“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation
title_short	“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation
title_full	“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation
title_fullStr	“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation
title_full_unstemmed	“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation
title_sort	“documentality” of the collection “dans la steppe” in s. persky’s interpretation
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/92720c40b7ca4e67994a628e22abc2a1
work_keys_str_mv	AT tgmaksimova documentalityofthecollectiondanslasteppeinsperskysinterpretation
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“Documentality” of the Collection “Dans la Steppe” in S. Persky’s Interpretation

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