Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio
The problematization of the narratives of national identity, the “rediscovery” of the indigenous world, the territory and history, were issues that the new democratic agenda pushed to treat the bolivian young filmmakers. Indeed, the outcome of dictatorships, the growing political organization of the...
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Centre de Recherches sur les Mondes Américains
2019
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oai:doaj.org-article:9312a016b1c944a5a394852427a098652021-12-02T10:34:36ZVideo etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio1626-025210.4000/nuevomundo.78783https://doaj.org/article/9312a016b1c944a5a394852427a098652019-12-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/78783https://doaj.org/toc/1626-0252The problematization of the narratives of national identity, the “rediscovery” of the indigenous world, the territory and history, were issues that the new democratic agenda pushed to treat the bolivian young filmmakers. Indeed, the outcome of dictatorships, the growing political organization of the indigenous sectors, their prominence in federations and unions, and the cultural and ideological self-valorization manifested in practices and discourses, were contextual factors that catalyzed the interest of new filmmakers as Eduardo López Zavala and Néstor Agramont, who were building their own path within the local audiovisual scene, articulating themselves in a diverse way with the documentary field, historical and ethnographic research, popular education and anthropology. This work focuses on one of the production trends of the Bolivian video of the eighties, the ethnographic, circumscribing its attention in the videos that López Zavala and Agramont materialized within the framework of the QHANA Popular Education Center: Levantémonos todos (1987) – which shows forms of community-political organization and, associated with it, the defense of the reserves in natural resources of the Uyuni salar area –, and, El camino de las almas (1989) – which thematizes the theft and commercialization of traditional abb. After commenting the historical context of both materials; and examine some conceptual contributions about the notions of territory and landscape, we will analyze the videos taking into account the representations with which the other indigenousness was represented, the past and social conflicts, and the notion of rights.María AimarettiCentre de Recherches sur les Mondes Américainsarticleethnographic videoboliviaidentityterritoryhistoryAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019) |
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DOAJ |
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DOAJ |
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EN FR PT |
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ethnographic video bolivia identity territory history Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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ethnographic video bolivia identity territory history Anthropology GN1-890 Latin America. Spanish America F1201-3799 María Aimaretti Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio |
| description |
The problematization of the narratives of national identity, the “rediscovery” of the indigenous world, the territory and history, were issues that the new democratic agenda pushed to treat the bolivian young filmmakers. Indeed, the outcome of dictatorships, the growing political organization of the indigenous sectors, their prominence in federations and unions, and the cultural and ideological self-valorization manifested in practices and discourses, were contextual factors that catalyzed the interest of new filmmakers as Eduardo López Zavala and Néstor Agramont, who were building their own path within the local audiovisual scene, articulating themselves in a diverse way with the documentary field, historical and ethnographic research, popular education and anthropology. This work focuses on one of the production trends of the Bolivian video of the eighties, the ethnographic, circumscribing its attention in the videos that López Zavala and Agramont materialized within the framework of the QHANA Popular Education Center: Levantémonos todos (1987) – which shows forms of community-political organization and, associated with it, the defense of the reserves in natural resources of the Uyuni salar area –, and, El camino de las almas (1989) – which thematizes the theft and commercialization of traditional abb. After commenting the historical context of both materials; and examine some conceptual contributions about the notions of territory and landscape, we will analyze the videos taking into account the representations with which the other indigenousness was represented, the past and social conflicts, and the notion of rights. |
| format |
article |
| author |
María Aimaretti |
| author_facet |
María Aimaretti |
| author_sort |
María Aimaretti |
| title |
Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio |
| title_short |
Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio |
| title_full |
Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio |
| title_fullStr |
Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio |
| title_full_unstemmed |
Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio |
| title_sort |
video etnográfico boliviano de la década del ochenta: (otra) identidad, historia y territorio |
| publisher |
Centre de Recherches sur les Mondes Américains |
| publishDate |
2019 |
| url |
https://doaj.org/article/9312a016b1c944a5a394852427a09865 |
| work_keys_str_mv |
AT mariaaimaretti videoetnograficobolivianodeladecadadelochentaotraidentidadhistoriayterritorio |
| _version_ |
1718397009923145728 |