From the History of the Journal “Severny Vestnik”. Commentary to the Commentary

The history of literary associations, including the history of any journal, is primarily the history of people's relationships with each other. In such a history, personal likes and dislikes play the most essential role. This law of personal sympathies and antipathies manifests itself very expr...

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Autor principal: Mikhail V. Stroganov
Formato: article
Lenguaje:EN
RU
Publicado: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2021
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Acceso en línea:https://doaj.org/article/933eb1a2992e459194f06476a857d1f0
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spelling oai:doaj.org-article:933eb1a2992e459194f06476a857d1f02021-11-24T16:07:03ZFrom the History of the Journal “Severny Vestnik”. Commentary to the Commentary10.22455/2541-8297-2021-21-261-2772541-82972542-2421https://doaj.org/article/933eb1a2992e459194f06476a857d1f02021-09-01T00:00:00Zhttp://litfact.ru/images/2021-21/10_Stroganov.pdfhttps://doaj.org/toc/2541-8297https://doaj.org/toc/2542-2421The history of literary associations, including the history of any journal, is primarily the history of people's relationships with each other. In such a history, personal likes and dislikes play the most essential role. This law of personal sympathies and antipathies manifests itself very expressively in a rather short history of the journal “Severny Vestnik”, published by L.Ya. Gurevich (1891–1898). The article offers significant additions to comments to published texts on the history of the journal. A.L. Volynsky and N.K. Mikhailovsky showed equal harshness and indelicacy in their polemics, but their contemporaries almost unanimously sided with Mikhailovsky as an older and deserved writer. Volynsky acquired a reputation as an unscrupulous person and gossip begins to gather around his name. Volynsky demonstrated unacceptable immodesty towards D.S. Merezhkovsky and Z.N. Gippius and allowed himself to use of someone else's material, bordering on plagiarism. But most importantly, in the plot of the book about Leonardo da Vinci, he depicted his personal relationship with Merezhkovsky and Gippius and his interpretation of the relationship between them. In addition, he expelled Merezhkovsky from the journal “Severny Vestnik”, which closed for him the opportunity to publish his novel about Leonardo da Vinci.Mikhail V. StroganovRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticle“severny vestnik”literary lifea.l. volynskyl.ya. gurevichn.k. mikhaylovskyd.s. merezhkovskyz.n. gippiusLiterature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUЛитературный факт, Iss 3 (21), Pp 261-277 (2021)
institution DOAJ
collection DOAJ
language EN
RU
topic “severny vestnik”
literary life
a.l. volynsky
l.ya. gurevich
n.k. mikhaylovsky
d.s. merezhkovsky
z.n. gippius
Literature (General)
PN1-6790
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle “severny vestnik”
literary life
a.l. volynsky
l.ya. gurevich
n.k. mikhaylovsky
d.s. merezhkovsky
z.n. gippius
Literature (General)
PN1-6790
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Mikhail V. Stroganov
From the History of the Journal “Severny Vestnik”. Commentary to the Commentary
description The history of literary associations, including the history of any journal, is primarily the history of people's relationships with each other. In such a history, personal likes and dislikes play the most essential role. This law of personal sympathies and antipathies manifests itself very expressively in a rather short history of the journal “Severny Vestnik”, published by L.Ya. Gurevich (1891–1898). The article offers significant additions to comments to published texts on the history of the journal. A.L. Volynsky and N.K. Mikhailovsky showed equal harshness and indelicacy in their polemics, but their contemporaries almost unanimously sided with Mikhailovsky as an older and deserved writer. Volynsky acquired a reputation as an unscrupulous person and gossip begins to gather around his name. Volynsky demonstrated unacceptable immodesty towards D.S. Merezhkovsky and Z.N. Gippius and allowed himself to use of someone else's material, bordering on plagiarism. But most importantly, in the plot of the book about Leonardo da Vinci, he depicted his personal relationship with Merezhkovsky and Gippius and his interpretation of the relationship between them. In addition, he expelled Merezhkovsky from the journal “Severny Vestnik”, which closed for him the opportunity to publish his novel about Leonardo da Vinci.
format article
author Mikhail V. Stroganov
author_facet Mikhail V. Stroganov
author_sort Mikhail V. Stroganov
title From the History of the Journal “Severny Vestnik”. Commentary to the Commentary
title_short From the History of the Journal “Severny Vestnik”. Commentary to the Commentary
title_full From the History of the Journal “Severny Vestnik”. Commentary to the Commentary
title_fullStr From the History of the Journal “Severny Vestnik”. Commentary to the Commentary
title_full_unstemmed From the History of the Journal “Severny Vestnik”. Commentary to the Commentary
title_sort from the history of the journal “severny vestnik”. commentary to the commentary
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate 2021
url https://doaj.org/article/933eb1a2992e459194f06476a857d1f0
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