F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action
Most of all Dostoevsky’s texts, “The Beggar Boy at Christ's Christmas Tree” poses questions about the structure of image in the author’s works, and about the intentional focus of the literary text, aiming to offer the reader another view of the reality surrounding him, to “wash” his/her eyes, c...
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2019
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oai:doaj.org-article:9485ccf0eee44c2d9958cd22e4446d132021-11-24T09:49:04ZF.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action10.22455/2619-0311-2019-1-16-402619-03112712-8512https://doaj.org/article/9485ccf0eee44c2d9958cd22e4446d132019-03-01T00:00:00Zhttp://dostmirkult.ru/images/DOST_2019-1-int-1-18-42.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512Most of all Dostoevsky’s texts, “The Beggar Boy at Christ's Christmas Tree” poses questions about the structure of image in the author’s works, and about the intentional focus of the literary text, aiming to offer the reader another view of the reality surrounding him, to “wash” his/her eyes, covered by the dirt flowing from “the proximate and the visible in its flowing immediacy” and closed by the crust of humdrum. Solving the question of the structure of the image allows us to answer the question of how deepness is reached in Dostoevsky’s texts. The two-fold image in Dostoevsky’s works is described, as well as its analogues in the Christian culture, the qualities and characteristics of such an image, the way it is shaped through the reproduction of iconic images or through allusions to the Gospels, and its essential role in creating a space for the reader’s personal action. The article also concerns the differences occurring between this kind of image and another one – the Symbolists’ image – whose aim was to awake memories, to recognize and to comprehend the permanent patterns of human actions and relations, but not to change these patterns. The tale displays a double layer concerning not only human, but also space images, the presence of the already transfigured space in the depth of mundanity, whose appearance is prevented by human indolence, indifference, and the fact of being focused on the self.Tatyana A. KasatkinaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticledostoevsky“the beggar boy at christ's christmas tree”image structureimage deepnessaesthetics of actionintention of the literary workiconbiblical precedent textSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 1, Pp 16-40 (2019) |
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dostoevsky “the beggar boy at christ's christmas tree” image structure image deepness aesthetics of action intention of the literary work icon biblical precedent text Slavic languages. Baltic languages. Albanian languages PG1-9665 |
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dostoevsky “the beggar boy at christ's christmas tree” image structure image deepness aesthetics of action intention of the literary work icon biblical precedent text Slavic languages. Baltic languages. Albanian languages PG1-9665 Tatyana A. Kasatkina F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action |
| description |
Most of all Dostoevsky’s texts, “The Beggar Boy at Christ's Christmas Tree” poses questions about the structure of image in the author’s works, and about the intentional focus of the literary text, aiming to offer the reader another view of the reality surrounding him, to “wash” his/her eyes, covered by the dirt flowing from “the proximate and the visible in its flowing immediacy” and closed by the crust of humdrum. Solving the question of the structure of the image allows us to answer the question of how deepness is reached in Dostoevsky’s texts. The two-fold image in Dostoevsky’s works is described, as well as its analogues in the Christian culture, the qualities and characteristics of such an image, the way it is shaped through the reproduction of iconic images or through allusions to the Gospels, and its essential role in creating a space for the reader’s personal action. The article also concerns the differences occurring between this kind of image and another one – the Symbolists’ image – whose aim was to awake memories, to recognize and to comprehend the permanent patterns of human actions and relations, but not to change these patterns. The tale displays a double layer concerning not only human, but also space images, the presence of the already transfigured space in the depth of mundanity, whose appearance is prevented by human indolence, indifference, and the fact of being focused on the self. |
| format |
article |
| author |
Tatyana A. Kasatkina |
| author_facet |
Tatyana A. Kasatkina |
| author_sort |
Tatyana A. Kasatkina |
| title |
F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action |
| title_short |
F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action |
| title_full |
F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action |
| title_fullStr |
F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action |
| title_full_unstemmed |
F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action |
| title_sort |
f.m. dostoevsky’s story “the beggar boy at christ's christmas tree”: the image structure and the aesthetics of action |
| publisher |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature |
| publishDate |
2019 |
| url |
https://doaj.org/article/9485ccf0eee44c2d9958cd22e4446d13 |
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AT tatyanaakasatkina fmdostoevskysstorythebeggarboyatchristschristmastreetheimagestructureandtheaestheticsofaction |
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