Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O mache...
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| Formato: | article |
| Lenguaje: | ES PT |
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Universidade de Brasília
2011
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| Acceso en línea: | https://doaj.org/article/94b5a22c19684248a72cf7c91109d96c |
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| Sumario: | The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O machete”, the article postulates that Machado’s work was the first literary reflection on music as a pri- vileged cipher of nationality. |
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