Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis

The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O mache...

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Autor principal:	Idelber Avelar
Formato:	article
Lenguaje:	ES PT
Publicado:	Universidade de Brasília 2011
Materias:	music popular culture machado de assis French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/94b5a22c19684248a72cf7c91109d96c
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id	oai:doaj.org-article:94b5a22c19684248a72cf7c91109d96c
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spelling	oai:doaj.org-article:94b5a22c19684248a72cf7c91109d96c2021-11-11T15:52:07ZEntre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis1518-01582316-4018https://doaj.org/article/94b5a22c19684248a72cf7c91109d96c2011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127102011https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O machete”, the article postulates that Machado’s work was the first literary reflection on music as a pri- vileged cipher of nationality.Idelber AvelarUniversidade de Brasíliaarticlemusicpopular culturemachado de assisFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 37, Pp 171-188 (2011)
institution	DOAJ
collection	DOAJ
language	ES PT
topic	music popular culture machado de assis French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	music popular culture machado de assis French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Idelber Avelar Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
description	The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O machete”, the article postulates that Machado’s work was the first literary reflection on music as a pri- vileged cipher of nationality.
format	article
author	Idelber Avelar
author_facet	Idelber Avelar
author_sort	Idelber Avelar
title	Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
title_short	Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
title_full	Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
title_fullStr	Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
title_full_unstemmed	Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
title_sort	entre o violoncelo e o cavaquinho: música e sujeito popular em machado de assis
publisher	Universidade de Brasília
publishDate	2011
url	https://doaj.org/article/94b5a22c19684248a72cf7c91109d96c
work_keys_str_mv	AT idelberavelar entreoviolonceloeocavaquinhomusicaesujeitopopularemmachadodeassis
_version_	1718433261872480256

Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis

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