Khaqani’s Late Style: The Mada’in Qasida

This article discusses Khaqani Shirvani’s poem Aivan-i Mada’in (The Mada’in Qasida), from the vantage points of literary history and the theory of ruins. The Mada’in Qasida is a product of Khaqani’s “late style” in multiple senses, including the meaning that Edward Said attached to the term when dis...

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Autor principal:	Rebecca Ruth Gould
Formato:	article
Lenguaje:	EN FA
Publicado:	University of Tabriz 2021
Materias:	khaqani poetry ruins comparative literature literary criticism Philosophy (General) B1-5802
Acceso en línea:	https://doaj.org/article/95c779f9cd104794a2896628b003a50d
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id	oai:doaj.org-article:95c779f9cd104794a2896628b003a50d
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spelling	oai:doaj.org-article:95c779f9cd104794a2896628b003a50d2021-11-29T06:23:05ZKhaqani’s Late Style: The Mada’in Qasida2251-79602423-441910.22034/jpiut.2021.13845https://doaj.org/article/95c779f9cd104794a2896628b003a50d2021-10-01T00:00:00Zhttps://philosophy.tabrizu.ac.ir/article_13845_254f9ef98240dd04a9aa331ce304f148.pdfhttps://doaj.org/toc/2251-7960https://doaj.org/toc/2423-4419This article discusses Khaqani Shirvani’s poem Aivan-i Mada’in (The Mada’in Qasida), from the vantage points of literary history and the theory of ruins. The Mada’in Qasida is a product of Khaqani’s “late style” in multiple senses, including the meaning that Edward Said attached to the term when discussing Adorno and Beethoven. While offering a close reading of The Mada’in Qasida, I consider how Khaqani refashioned his poetic persona within a prophetic lineage and set forth the terms of his argument for poetry’s discursive authority. In the case of this poem, Khaqani used his late style to critique the injustice of rulers past and present.Rebecca Ruth GouldUniversity of Tabrizarticlekhaqanipoetryruinscomparative literatureliterary criticismPhilosophy (General)B1-5802ENFAPhilosophical Investigations, Vol 15, Iss 36, Pp 384-399 (2021)
institution	DOAJ
collection	DOAJ
language	EN FA
topic	khaqani poetry ruins comparative literature literary criticism Philosophy (General) B1-5802
spellingShingle	khaqani poetry ruins comparative literature literary criticism Philosophy (General) B1-5802 Rebecca Ruth Gould Khaqani’s Late Style: The Mada’in Qasida
description	This article discusses Khaqani Shirvani’s poem Aivan-i Mada’in (The Mada’in Qasida), from the vantage points of literary history and the theory of ruins. The Mada’in Qasida is a product of Khaqani’s “late style” in multiple senses, including the meaning that Edward Said attached to the term when discussing Adorno and Beethoven. While offering a close reading of The Mada’in Qasida, I consider how Khaqani refashioned his poetic persona within a prophetic lineage and set forth the terms of his argument for poetry’s discursive authority. In the case of this poem, Khaqani used his late style to critique the injustice of rulers past and present.
format	article
author	Rebecca Ruth Gould
author_facet	Rebecca Ruth Gould
author_sort	Rebecca Ruth Gould
title	Khaqani’s Late Style: The Mada’in Qasida
title_short	Khaqani’s Late Style: The Mada’in Qasida
title_full	Khaqani’s Late Style: The Mada’in Qasida
title_fullStr	Khaqani’s Late Style: The Mada’in Qasida
title_full_unstemmed	Khaqani’s Late Style: The Mada’in Qasida
title_sort	khaqani’s late style: the mada’in qasida
publisher	University of Tabriz
publishDate	2021
url	https://doaj.org/article/95c779f9cd104794a2896628b003a50d
work_keys_str_mv	AT rebeccaruthgould khaqanislatestylethemadainqasida
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Khaqani’s Late Style: The Mada’in Qasida

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