Ledhug: Syncretic Music Culture in Magetan

In Magetan, East Java, Indonesia, the turn of the Javanese and Islamic years is marked by the celebration of Ledhug Sura. The celebration consisted of various events such as the Ledhug music festival, the people's market, the carnival, the night of repentance and the climax at the Andum Berkah...

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Autores principales:	Dea Lunny Primamona, Dolly Nofer
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2020
Materias:	ledhug, lesung, bedug, sinkretisme, dan musik Fine Arts N
Acceso en línea:	https://doaj.org/article/95eb88ee531f47a8a11827596aa70c5c
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spelling	oai:doaj.org-article:95eb88ee531f47a8a11827596aa70c5c2021-11-26T03:24:11ZLedhug: Syncretic Music Culture in Magetan1412-41812685-287X10.33153/dewaruci.v14i2.2806https://doaj.org/article/95eb88ee531f47a8a11827596aa70c5c2020-02-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/2806https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XIn Magetan, East Java, Indonesia, the turn of the Javanese and Islamic years is marked by the celebration of Ledhug Sura. The celebration consisted of various events such as the Ledhug music festival, the people's market, the carnival, the night of repentance and the climax at the Andum Berkah Bolu Rahayu procession. This is a carnival for cakes and agricultural products which are considered to bring blessings to the community. This research focuses on the ledhug (lesung and bedhug, which means a combination of mortar and drum) music festival. Mortar and bedhug are the main focus of this article. The purpose of this study is to (1) reveal the form of the conception of ledhug music and (2) recognize the concepts contained in the ledhug music. Data mining methods include fieldwork using observation and interview techniques; literature review; and data presentation methods using descriptive-interpretative techniques. Based on the results of fieldwork and reading or interpretation of the ledhug music culture, it was concluded that the ledhug music performance was the result of a process of cultural syncretism. Ledhug music culture exists as a blend of musical elements from Javanese and Islamic music culture. Cultural syncretism in the context of ledhug is a deliberately produced discourse building, namely as a form of resolution of the reality of cultural contestation between the two ideologies that existed in Magetan.Dea Lunny PrimamonaDolly NoferInstitut Seni Indonesia Surakartaarticleledhug, lesung, bedug, sinkretisme, dan musikFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 14, Iss 2, Pp 1-12 (2020)
institution	DOAJ
collection	DOAJ
language	ID
topic	ledhug, lesung, bedug, sinkretisme, dan musik Fine Arts N
spellingShingle	ledhug, lesung, bedug, sinkretisme, dan musik Fine Arts N Dea Lunny Primamona Dolly Nofer Ledhug: Syncretic Music Culture in Magetan
description	In Magetan, East Java, Indonesia, the turn of the Javanese and Islamic years is marked by the celebration of Ledhug Sura. The celebration consisted of various events such as the Ledhug music festival, the people's market, the carnival, the night of repentance and the climax at the Andum Berkah Bolu Rahayu procession. This is a carnival for cakes and agricultural products which are considered to bring blessings to the community. This research focuses on the ledhug (lesung and bedhug, which means a combination of mortar and drum) music festival. Mortar and bedhug are the main focus of this article. The purpose of this study is to (1) reveal the form of the conception of ledhug music and (2) recognize the concepts contained in the ledhug music. Data mining methods include fieldwork using observation and interview techniques; literature review; and data presentation methods using descriptive-interpretative techniques. Based on the results of fieldwork and reading or interpretation of the ledhug music culture, it was concluded that the ledhug music performance was the result of a process of cultural syncretism. Ledhug music culture exists as a blend of musical elements from Javanese and Islamic music culture. Cultural syncretism in the context of ledhug is a deliberately produced discourse building, namely as a form of resolution of the reality of cultural contestation between the two ideologies that existed in Magetan.
format	article
author	Dea Lunny Primamona Dolly Nofer
author_facet	Dea Lunny Primamona Dolly Nofer
author_sort	Dea Lunny Primamona
title	Ledhug: Syncretic Music Culture in Magetan
title_short	Ledhug: Syncretic Music Culture in Magetan
title_full	Ledhug: Syncretic Music Culture in Magetan
title_fullStr	Ledhug: Syncretic Music Culture in Magetan
title_full_unstemmed	Ledhug: Syncretic Music Culture in Magetan
title_sort	ledhug: syncretic music culture in magetan
publisher	Institut Seni Indonesia Surakarta
publishDate	2020
url	https://doaj.org/article/95eb88ee531f47a8a11827596aa70c5c
work_keys_str_mv	AT dealunnyprimamona ledhugsyncreticmusiccultureinmagetan AT dollynofer ledhugsyncreticmusiccultureinmagetan
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Ledhug: Syncretic Music Culture in Magetan

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