Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem

University studies dealing with autobiographical texts raise the following problem : How writers tell their stories ? The question of intimacy writing remains because of criteria that can explain the proportion of intimate revelations in a life story. Therefore, researchers have established a classi...

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Autor principal:	Fizia Hayette Boulahbel Mokhtari.
Formato:	article
Lenguaje:	FR
Publicado:	OpenEdition 2020
Materias:	autobiography self-expression the expression of intimity internal exile geographically exile Language and Literature P
Acceso en línea:	https://doaj.org/article/96f7b8b311db4f7ca554ca645a5e78b3
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id	oai:doaj.org-article:96f7b8b311db4f7ca554ca645a5e78b3
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spelling	oai:doaj.org-article:96f7b8b311db4f7ca554ca645a5e78b32021-12-02T12:34:03ZAutobiographie et écriture de l’intime dans les romans de Malika Mokeddem2335-15352335-185310.4000/multilinguales.4157https://doaj.org/article/96f7b8b311db4f7ca554ca645a5e78b32020-02-01T00:00:00Zhttp://journals.openedition.org/multilinguales/4157https://doaj.org/toc/2335-1535https://doaj.org/toc/2335-1853University studies dealing with autobiographical texts raise the following problem : How writers tell their stories ? The question of intimacy writing remains because of criteria that can explain the proportion of intimate revelations in a life story. Therefore, researchers have established a classification of intimate writings which is not always obvious to apply to autobiographical writings. Criteria such as religion, nationality, gender, social or economic status of the various authors (Hubier, 2003 : 68) have shown that it is somehow complicated to apply them to all texts. It means that autobiographical writers do not write their intimate lives in the same way. We have tried through the example of Malika Mokeddem, who is an Algerian French-speaking writer, to show precisely that she is an exception compared to other North African writers who opt for a kind of reserve tendency to make their family and social life more beautiful. Many of the criteria cited above are not applicable to her, she makes revelations about her experience without considering, for example, the religious, or social factor. She says, instead, and without any taboo the truth even if it could sometimes offend the sensibilities of others. Malika Mokeddem does not consider this factor because, the most important thing for her is to relate her tumultuous life with her family and people who drove her to exile. She makes a plea to justify her refusal to be identified to her community. Every step of her life takes her away from her family and even from the people who loved her.Fizia Hayette Boulahbel Mokhtari.OpenEditionarticleautobiographyself-expressionthe expression of intimityinternal exilegeographically exileLanguage and LiteraturePFRMultilinguales, Vol 12 (2020)
institution	DOAJ
collection	DOAJ
language	FR
topic	autobiography self-expression the expression of intimity internal exile geographically exile Language and Literature P
spellingShingle	autobiography self-expression the expression of intimity internal exile geographically exile Language and Literature P Fizia Hayette Boulahbel Mokhtari. Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem
description	University studies dealing with autobiographical texts raise the following problem : How writers tell their stories ? The question of intimacy writing remains because of criteria that can explain the proportion of intimate revelations in a life story. Therefore, researchers have established a classification of intimate writings which is not always obvious to apply to autobiographical writings. Criteria such as religion, nationality, gender, social or economic status of the various authors (Hubier, 2003 : 68) have shown that it is somehow complicated to apply them to all texts. It means that autobiographical writers do not write their intimate lives in the same way. We have tried through the example of Malika Mokeddem, who is an Algerian French-speaking writer, to show precisely that she is an exception compared to other North African writers who opt for a kind of reserve tendency to make their family and social life more beautiful. Many of the criteria cited above are not applicable to her, she makes revelations about her experience without considering, for example, the religious, or social factor. She says, instead, and without any taboo the truth even if it could sometimes offend the sensibilities of others. Malika Mokeddem does not consider this factor because, the most important thing for her is to relate her tumultuous life with her family and people who drove her to exile. She makes a plea to justify her refusal to be identified to her community. Every step of her life takes her away from her family and even from the people who loved her.
format	article
author	Fizia Hayette Boulahbel Mokhtari.
author_facet	Fizia Hayette Boulahbel Mokhtari.
author_sort	Fizia Hayette Boulahbel Mokhtari.
title	Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem
title_short	Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem
title_full	Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem
title_fullStr	Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem
title_full_unstemmed	Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem
title_sort	autobiographie et écriture de l’intime dans les romans de malika mokeddem
publisher	OpenEdition
publishDate	2020
url	https://doaj.org/article/96f7b8b311db4f7ca554ca645a5e78b3
work_keys_str_mv	AT fiziahayetteboulahbelmokhtari autobiographieetecrituredelintimedanslesromansdemalikamokeddem
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Autobiographie et écriture de l’intime dans les romans de Malika Mokeddem

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