Duma, wstyd, profanacja
Pride, Shame, Profanation. Post-Memory in the Movies Bent and Paragraph 175 This paper offers a post-memory oriented analysis of the movies Bent (1997) and Paragraph 175 (2000), both referring to the so-called pink triangles—homosexual men persecuted by the Nazis. The author reverses Marianne Hi...
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Ksiegarnia Akademicka Publishing
2021
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oai:doaj.org-article:9727de5ae9244a7aaf55edacbe1cc2f22021-11-27T13:11:26ZDuma, wstyd, profanacja10.12797/Politeja.18.2021.70.121733-67162391-6737https://doaj.org/article/9727de5ae9244a7aaf55edacbe1cc2f22021-02-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/3689https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 Pride, Shame, Profanation. Post-Memory in the Movies Bent and Paragraph 175 This paper offers a post-memory oriented analysis of the movies Bent (1997) and Paragraph 175 (2000), both referring to the so-called pink triangles—homosexual men persecuted by the Nazis. The author reverses Marianne Hirsch’s key concept in order to introduce a new one, “the generation of homosexual post-memory”. Theoretical categories of dignity, shame, and profanation are used contextually, to comment on the main themes of the movies and their common interpretations. Seen through the post-memory perspective, films under discussion become substitutes of direct, familial narratives, which for years remained inaccessible due to binding law, social taboos, “institutional homophobia”, and sustained “days of masquerade”. Even though it may not seem obvious at first, the text presents that both titles have the potential to activate the process of trauma transfer and create homosexual post-memory as such. Aleksandra KumalaKsiegarnia Akademicka Publishingarticlehomosexual post-memoryparagraph 175men with the pink triangleLawKPolitical scienceJENPLPoliteja, Vol 18, Iss 1(70) (2021) |
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DOAJ |
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EN PL |
| topic |
homosexual post-memory paragraph 175 men with the pink triangle Law K Political science J |
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homosexual post-memory paragraph 175 men with the pink triangle Law K Political science J Aleksandra Kumala Duma, wstyd, profanacja |
| description |
Pride, Shame, Profanation. Post-Memory in the Movies Bent and Paragraph 175
This paper offers a post-memory oriented analysis of the movies Bent (1997) and Paragraph 175 (2000), both referring to the so-called pink triangles—homosexual men persecuted by the Nazis. The author reverses Marianne Hirsch’s key concept in order to introduce a new one, “the generation of homosexual post-memory”. Theoretical categories of dignity, shame, and profanation are used contextually, to comment on the main themes of the movies and their common interpretations. Seen through the post-memory perspective, films under discussion become substitutes of direct, familial narratives, which for years remained inaccessible due to binding law, social taboos, “institutional homophobia”, and sustained “days of masquerade”. Even though it may not seem obvious at first, the text presents that both titles have the potential to activate the process of trauma transfer and create homosexual post-memory as such.
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| format |
article |
| author |
Aleksandra Kumala |
| author_facet |
Aleksandra Kumala |
| author_sort |
Aleksandra Kumala |
| title |
Duma, wstyd, profanacja |
| title_short |
Duma, wstyd, profanacja |
| title_full |
Duma, wstyd, profanacja |
| title_fullStr |
Duma, wstyd, profanacja |
| title_full_unstemmed |
Duma, wstyd, profanacja |
| title_sort |
duma, wstyd, profanacja |
| publisher |
Ksiegarnia Akademicka Publishing |
| publishDate |
2021 |
| url |
https://doaj.org/article/9727de5ae9244a7aaf55edacbe1cc2f2 |
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AT aleksandrakumala dumawstydprofanacja |
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