O artista popular e o contrato: lógicas divergentes nas produções musicais
The means of producing, distributing and consuming recorded music have been quickly changing since the end of the 20th century. Many investigations in different areas of the Human Sciences aimed at explaining and interpreting these means. The present article takes as its empirical object a work cont...
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Format: | article |
Langue: | PT |
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2016
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Accès en ligne: | https://doaj.org/article/97b3f1cb2d0e4587bd5d0e50f9483481 |
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