“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue
The tragedy Prologue written in 1960s is analyzed in the broad context of the history of its creation, Anna Akhmatova’s biographical myth and world culture. The article mentions the problems of academic publication of the text and presents materials for scientific commentary on it. The incompletene...
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Vilnius University
2021
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oai:doaj.org-article:97ba6ff2743241f0b1a2406fba9b11202021-11-23T09:31:00Z“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue10.15388/Litera.2021.63.2.120258-08021648-1143https://doaj.org/article/97ba6ff2743241f0b1a2406fba9b11202021-11-01T00:00:00Zhttps://www.zurnalai.vu.lt/literatura/article/view/25075https://doaj.org/toc/0258-0802https://doaj.org/toc/1648-1143 The tragedy Prologue written in 1960s is analyzed in the broad context of the history of its creation, Anna Akhmatova’s biographical myth and world culture. The article mentions the problems of academic publication of the text and presents materials for scientific commentary on it. The incompleteness of the play is viewed in connection with its heterogeneous character combining lyrics, drama and epos, verses and prose, tragic and comic, ancient and modern, East and West, national and global, culture and everyday life, written and oral styles. Polina PoberezkinaVilnius University articleAnna AkhmatovaEastincompletenesssubtextwritten and oral stylesLiterature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665DEENFRLTRULiteratūra (Vilnius), Vol 63, Iss 2 (2021) |
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DE EN FR LT RU |
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Anna Akhmatova East incompleteness subtext written and oral styles Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 |
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Anna Akhmatova East incompleteness subtext written and oral styles Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 Polina Poberezkina “There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue |
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The tragedy Prologue written in 1960s is analyzed in the broad context of the history of its creation, Anna Akhmatova’s biographical myth and world culture. The article mentions the problems of academic publication of the text and presents materials for scientific commentary on it. The incompleteness of the play is viewed in connection with its heterogeneous character combining lyrics, drama and epos, verses and prose, tragic and comic, ancient and modern, East and West, national and global, culture and everyday life, written and oral styles.
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format |
article |
author |
Polina Poberezkina |
author_facet |
Polina Poberezkina |
author_sort |
Polina Poberezkina |
title |
“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue |
title_short |
“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue |
title_full |
“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue |
title_fullStr |
“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue |
title_full_unstemmed |
“There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue |
title_sort |
“there is no end”: anna akhmatova’s unfinished tragedy prologue |
publisher |
Vilnius University |
publishDate |
2021 |
url |
https://doaj.org/article/97ba6ff2743241f0b1a2406fba9b1120 |
work_keys_str_mv |
AT polinapoberezkina thereisnoendannaakhmatovasunfinishedtragedyprologue |
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1718416841862283264 |