Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico

Based on the works of Barthes (1980), Benjamin (1996), Bourdieu (1979) and Halbwachs (1990), we discuss the elements that favored that the photographs “Migrant Mother” (by Dorothea Lange, 1936) and “The Death of the Militiaman” (by Robert Capa, 1936) were incorporated into a collective imaginary, be...

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Autores principales:	Maria da Conceição Francisca Pires, Sergio Luiz Pereira da Silva
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2016
Materias:	aura photography memory Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/97c49bb9cbf74c38a5725baf0218eec2
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id	oai:doaj.org-article:97c49bb9cbf74c38a5725baf0218eec2
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spelling	oai:doaj.org-article:97c49bb9cbf74c38a5725baf0218eec22021-11-11T15:42:00ZFotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico2177-6229https://doaj.org/article/97c49bb9cbf74c38a5725baf0218eec22016-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93849899015https://doaj.org/toc/2177-6229Based on the works of Barthes (1980), Benjamin (1996), Bourdieu (1979) and Halbwachs (1990), we discuss the elements that favored that the photographs “Migrant Mother” (by Dorothea Lange, 1936) and “The Death of the Militiaman” (by Robert Capa, 1936) were incorporated into a collective imaginary, becoming the reference of a certain historical reality. We understand that these images have in common the relationship they established with the memories and experiences of the societies they represent and that they create for the audience a visual narrative about the lived experience. They influence their social and political dynamics in the public sphere, as well as favoring a reflection about the photographic act, concerning its technical work and its political character.Maria da Conceição Francisca PiresSergio Luiz Pereira da SilvaUniversidade do Vale do Rio dos Sinos (UNISINOS)articleauraphotographymemorySocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 52, Iss 3, Pp 437-446 (2016)
institution	DOAJ
collection	DOAJ
language	PT
topic	aura photography memory Social Sciences H Social sciences (General) H1-99
spellingShingle	aura photography memory Social Sciences H Social sciences (General) H1-99 Maria da Conceição Francisca Pires Sergio Luiz Pereira da Silva Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
description	Based on the works of Barthes (1980), Benjamin (1996), Bourdieu (1979) and Halbwachs (1990), we discuss the elements that favored that the photographs “Migrant Mother” (by Dorothea Lange, 1936) and “The Death of the Militiaman” (by Robert Capa, 1936) were incorporated into a collective imaginary, becoming the reference of a certain historical reality. We understand that these images have in common the relationship they established with the memories and experiences of the societies they represent and that they create for the audience a visual narrative about the lived experience. They influence their social and political dynamics in the public sphere, as well as favoring a reflection about the photographic act, concerning its technical work and its political character.
format	article
author	Maria da Conceição Francisca Pires Sergio Luiz Pereira da Silva
author_facet	Maria da Conceição Francisca Pires Sergio Luiz Pereira da Silva
author_sort	Maria da Conceição Francisca Pires
title	Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_short	Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_full	Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_fullStr	Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_full_unstemmed	Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_sort	fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2016
url	https://doaj.org/article/97c49bb9cbf74c38a5725baf0218eec2
work_keys_str_mv	AT mariadaconceicaofranciscapires fotografiaeaderenciasimbolicaauraengajamentoememorianoprotagonismofotografico AT sergioluizpereiradasilva fotografiaeaderenciasimbolicaauraengajamentoememorianoprotagonismofotografico
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Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico

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