And science created… the virtual Woman
In the film by Spike Jonze, Her (2013), Theodore, the main character, who becomes single after a painful separation, “meets” a woman's voice. It is a voice whose timbre and words sound just like a young woman’s. In reality, it is the voice of software programmed to answer the user's reques...
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Centre de Recherche "Texte et Critique de Texte"
2021
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oai:doaj.org-article:9807a2d34af74afb84e872a719fc56e62021-12-02T11:28:04ZAnd science created… the virtual Woman1272-38191969-630210.4000/sillagescritiques.11043https://doaj.org/article/9807a2d34af74afb84e872a719fc56e62021-10-01T00:00:00Zhttp://journals.openedition.org/sillagescritiques/11043https://doaj.org/toc/1272-3819https://doaj.org/toc/1969-6302In the film by Spike Jonze, Her (2013), Theodore, the main character, who becomes single after a painful separation, “meets” a woman's voice. It is a voice whose timbre and words sound just like a young woman’s. In reality, it is the voice of software programmed to answer the user's requests. But this voice arouses Theodore's desire and love. In this article, we will study within a psychoanalytical perspective what this film teaches us about the contemporary issue of new addictions to connected objects. What place, what function do these objects take in the character’s relationship to the body, to drive and to language? It will more particularly focus on the voice as an object, the “most original” object of desire according to Lacan. Élisabeth MarionYohan TrichetCentre de Recherche "Texte et Critique de Texte"articlejouissanceotherlathousesobject asubjectvoiceAmerican literaturePS1-3576English literaturePR1-9680ENFRSillages Critiques, Vol 30 (2021) |
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DOAJ |
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DOAJ |
| language |
EN FR |
| topic |
jouissance other lathouses object a subject voice American literature PS1-3576 English literature PR1-9680 |
| spellingShingle |
jouissance other lathouses object a subject voice American literature PS1-3576 English literature PR1-9680 Élisabeth Marion Yohan Trichet And science created… the virtual Woman |
| description |
In the film by Spike Jonze, Her (2013), Theodore, the main character, who becomes single after a painful separation, “meets” a woman's voice. It is a voice whose timbre and words sound just like a young woman’s. In reality, it is the voice of software programmed to answer the user's requests. But this voice arouses Theodore's desire and love. In this article, we will study within a psychoanalytical perspective what this film teaches us about the contemporary issue of new addictions to connected objects. What place, what function do these objects take in the character’s relationship to the body, to drive and to language? It will more particularly focus on the voice as an object, the “most original” object of desire according to Lacan. |
| format |
article |
| author |
Élisabeth Marion Yohan Trichet |
| author_facet |
Élisabeth Marion Yohan Trichet |
| author_sort |
Élisabeth Marion |
| title |
And science created… the virtual Woman |
| title_short |
And science created… the virtual Woman |
| title_full |
And science created… the virtual Woman |
| title_fullStr |
And science created… the virtual Woman |
| title_full_unstemmed |
And science created… the virtual Woman |
| title_sort |
and science created… the virtual woman |
| publisher |
Centre de Recherche "Texte et Critique de Texte" |
| publishDate |
2021 |
| url |
https://doaj.org/article/9807a2d34af74afb84e872a719fc56e6 |
| work_keys_str_mv |
AT elisabethmarion andsciencecreatedthevirtualwoman AT yohantrichet andsciencecreatedthevirtualwoman |
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1718395892672757760 |