Aesthetics in Mary Shelley's Frankenstein
In Mary Shelley’s Frankenstein the brilliant scientist Viktor Frankenstein constructs and animates a gigantic and superhumanly powerful man. But upon animation, Frankenstein discovers he neglected beauty, and beholding his hideous creation flees in horror without even naming the man. Abandoned and a...
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Alfredo Mac Laughlin
2018
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oai:doaj.org-article:98d749c0631443adbbf43929d1a3c5412021-11-10T20:00:53ZAesthetics in Mary Shelley's Frankenstein2573-881Xhttps://doaj.org/article/98d749c0631443adbbf43929d1a3c5412018-06-01T00:00:00Zhttps://jsfphil.org/vol-1/abrams-aesthetics-in-frankenstein/https://doaj.org/toc/2573-881XIn Mary Shelley’s Frankenstein the brilliant scientist Viktor Frankenstein constructs and animates a gigantic and superhumanly powerful man. But upon animation, Frankenstein discovers he neglected beauty, and beholding his hideous creation flees in horror without even naming the man. Abandoned and alone the monster leaves society, yet secretly observing humanity learns language and philosophy and eventually discovers humanity’s self-understanding and his own self-understanding to be grounded in beauty rather than reason.Jerold J. AbramsAlfredo Mac LaughlinarticlePhilosophy (General)B1-5802Literature (General)PN1-6790ENJournal of Science Fiction and Philosophy, Vol 1, Pp 1-19 (2018) |
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DOAJ |
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DOAJ |
| language |
EN |
| topic |
Philosophy (General) B1-5802 Literature (General) PN1-6790 |
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Philosophy (General) B1-5802 Literature (General) PN1-6790 Jerold J. Abrams Aesthetics in Mary Shelley's Frankenstein |
| description |
In Mary Shelley’s Frankenstein the brilliant scientist Viktor Frankenstein constructs and animates a gigantic and superhumanly powerful man. But upon animation, Frankenstein discovers he neglected beauty, and beholding his hideous creation flees in horror without even naming the man. Abandoned and alone the monster leaves society, yet secretly observing humanity learns language and philosophy and eventually discovers humanity’s self-understanding and his own self-understanding to be grounded in beauty rather than reason. |
| format |
article |
| author |
Jerold J. Abrams |
| author_facet |
Jerold J. Abrams |
| author_sort |
Jerold J. Abrams |
| title |
Aesthetics in Mary Shelley's Frankenstein |
| title_short |
Aesthetics in Mary Shelley's Frankenstein |
| title_full |
Aesthetics in Mary Shelley's Frankenstein |
| title_fullStr |
Aesthetics in Mary Shelley's Frankenstein |
| title_full_unstemmed |
Aesthetics in Mary Shelley's Frankenstein |
| title_sort |
aesthetics in mary shelley's frankenstein |
| publisher |
Alfredo Mac Laughlin |
| publishDate |
2018 |
| url |
https://doaj.org/article/98d749c0631443adbbf43929d1a3c541 |
| work_keys_str_mv |
AT jeroldjabrams aestheticsinmaryshelleysfrankenstein |
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