Creative derivatives the poetics of derivation and its formative assumptions

The creative derivatives phrase has in itself two terms: creativity (lat. creatus - having been created) and derivation (lat. derivatio - derivation, departure). Creativity presupposes the realisation of the new, the non-existent. Derivation, on the other hand, means transition, formation or arrange...

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Autor principal:	Bučan Jagor
Formato:	article
Lenguaje:	EN SR
Publicado:	Akademija umetnosti Univerziteta u Novom Sadu 2021
Materias:	creativity derivatives assuming poetics syntagm paradigm Arts in general NX1-820
Acceso en línea:	https://doaj.org/article/9929af0704aa468db8a04e209812eabd
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id	oai:doaj.org-article:9929af0704aa468db8a04e209812eabd
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spelling	oai:doaj.org-article:9929af0704aa468db8a04e209812eabd2021-12-05T21:40:03ZCreative derivatives the poetics of derivation and its formative assumptions2334-86662560-310810.5937/ZbAkU2109233Bhttps://doaj.org/article/9929af0704aa468db8a04e209812eabd2021-01-01T00:00:00Zhttps://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2021/2334-86662109233B.pdfhttps://doaj.org/toc/2334-8666https://doaj.org/toc/2560-3108The creative derivatives phrase has in itself two terms: creativity (lat. creatus - having been created) and derivation (lat. derivatio - derivation, departure). Creativity presupposes the realisation of the new, the non-existent. Derivation, on the other hand, means transition, formation or arrangement. A derivative is what is derived or comes from something else (like gasoline which is a petroleum derivative). Creative derivations would therefore be processes in which a new is derived from the existing; procedures of rearranging the existing, conversion (transitioning) from one system to another. There are two basic requirements that are necessary for the realisation of these and such actions: an adequate poetic means and a common denominator of two or more phenomena, i.e. two or more systems that are brought into contact. We define the poetic means here in Jakobson's terms as the axis of combination (syntagm) and the axis of selection (paradigm). The paper systematises the poetic possibilities of artistic modeling, which is based on the template of already existing works of art. Different versions of the approach to modern and postmodern practice of taking over the already existing form and content aspects of a work of art are briefly explained and described. When choosing examples, the author adheres to the principle of representativeness instead of compendial comprehensiveness. The outcome of the paper should be twofold. On the one hand, the aim is to get to know and understand the poetics of taking over, which is one of the preconditions for aesthetic pleasure and cognitive insight when encountering works of art of that provenance. On the other hand, the work should be useful to students in their own creative work. The poetic means exhibited in it should facilitate a creative approach to the inexhaustible source of tradition.Bučan JagorAkademija umetnosti Univerziteta u Novom SaduarticlecreativityderivativesassumingpoeticssyntagmparadigmArts in generalNX1-820ENSRZbornik Radova Akademije Umetnosti, Vol 2021, Iss 9, Pp 233-252 (2021)
institution	DOAJ
collection	DOAJ
language	EN SR
topic	creativity derivatives assuming poetics syntagm paradigm Arts in general NX1-820
spellingShingle	creativity derivatives assuming poetics syntagm paradigm Arts in general NX1-820 Bučan Jagor Creative derivatives the poetics of derivation and its formative assumptions
description	The creative derivatives phrase has in itself two terms: creativity (lat. creatus - having been created) and derivation (lat. derivatio - derivation, departure). Creativity presupposes the realisation of the new, the non-existent. Derivation, on the other hand, means transition, formation or arrangement. A derivative is what is derived or comes from something else (like gasoline which is a petroleum derivative). Creative derivations would therefore be processes in which a new is derived from the existing; procedures of rearranging the existing, conversion (transitioning) from one system to another. There are two basic requirements that are necessary for the realisation of these and such actions: an adequate poetic means and a common denominator of two or more phenomena, i.e. two or more systems that are brought into contact. We define the poetic means here in Jakobson's terms as the axis of combination (syntagm) and the axis of selection (paradigm). The paper systematises the poetic possibilities of artistic modeling, which is based on the template of already existing works of art. Different versions of the approach to modern and postmodern practice of taking over the already existing form and content aspects of a work of art are briefly explained and described. When choosing examples, the author adheres to the principle of representativeness instead of compendial comprehensiveness. The outcome of the paper should be twofold. On the one hand, the aim is to get to know and understand the poetics of taking over, which is one of the preconditions for aesthetic pleasure and cognitive insight when encountering works of art of that provenance. On the other hand, the work should be useful to students in their own creative work. The poetic means exhibited in it should facilitate a creative approach to the inexhaustible source of tradition.
format	article
author	Bučan Jagor
author_facet	Bučan Jagor
author_sort	Bučan Jagor
title	Creative derivatives the poetics of derivation and its formative assumptions
title_short	Creative derivatives the poetics of derivation and its formative assumptions
title_full	Creative derivatives the poetics of derivation and its formative assumptions
title_fullStr	Creative derivatives the poetics of derivation and its formative assumptions
title_full_unstemmed	Creative derivatives the poetics of derivation and its formative assumptions
title_sort	creative derivatives the poetics of derivation and its formative assumptions
publisher	Akademija umetnosti Univerziteta u Novom Sadu
publishDate	2021
url	https://doaj.org/article/9929af0704aa468db8a04e209812eabd
work_keys_str_mv	AT bucanjagor creativederivativesthepoeticsofderivationanditsformativeassumptions
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Creative derivatives the poetics of derivation and its formative assumptions

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