O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro

From the analysis of Brazilian films that weave a criticism of the military dictatorship, this article examines the dynamic processes involved in the filmic reinterpretation of the past. We will make reference to some films produced during the Brazilian military dictatorship that used historical fac...

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Autor principal:	Eliza Bachega Casadei
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2012
Materias:	apaziguamento confronto demandas ditadura produção fílmica Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/9a80c3b5d25444528533b6cdfd605193
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id	oai:doaj.org-article:9a80c3b5d25444528533b6cdfd605193
record_format	dspace
spelling	oai:doaj.org-article:9a80c3b5d25444528533b6cdfd6051932021-12-02T10:38:30ZO reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro1626-025210.4000/nuevomundo.62600https://doaj.org/article/9a80c3b5d25444528533b6cdfd6051932012-01-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/62600https://doaj.org/toc/1626-0252From the analysis of Brazilian films that weave a criticism of the military dictatorship, this article examines the dynamic processes involved in the filmic reinterpretation of the past. We will make reference to some films produced during the Brazilian military dictatorship that used historical facts in the composition of their plots, contrasting them with more recent films that portray the military dictatorship. From Ricoeur’s concept of recognition, we will show how some historical films that were produced during the military dictatorship sewed a confrontational relationship between past and present, while the latest movies reveals a appeased relationship between past and present, alluding to a type of memory called appeased memory by Ricoeur. dictatorship, film production, confrontation, appeasement, demandsEliza Bachega CasadeiCentre de Recherches sur les Mondes Américainsarticleapaziguamentoconfrontodemandasditaduraprodução fílmicaAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2012)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	apaziguamento confronto demandas ditadura produção fílmica Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	apaziguamento confronto demandas ditadura produção fílmica Anthropology GN1-890 Latin America. Spanish America F1201-3799 Eliza Bachega Casadei O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro
description	From the analysis of Brazilian films that weave a criticism of the military dictatorship, this article examines the dynamic processes involved in the filmic reinterpretation of the past. We will make reference to some films produced during the Brazilian military dictatorship that used historical facts in the composition of their plots, contrasting them with more recent films that portray the military dictatorship. From Ricoeur’s concept of recognition, we will show how some historical films that were produced during the military dictatorship sewed a confrontational relationship between past and present, while the latest movies reveals a appeased relationship between past and present, alluding to a type of memory called appeased memory by Ricoeur. dictatorship, film production, confrontation, appeasement, demands
format	article
author	Eliza Bachega Casadei
author_facet	Eliza Bachega Casadei
author_sort	Eliza Bachega Casadei
title	O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro
title_short	O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro
title_full	O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro
title_fullStr	O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro
title_full_unstemmed	O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro
title_sort	o reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2012
url	https://doaj.org/article/9a80c3b5d25444528533b6cdfd605193
work_keys_str_mv	AT elizabachegacasadei oreconhecimentoeacuradostraumasdahistoriaaditaduramilitarnocinemabrasileiro
_version_	1718396897051279360

O reconhecimento e a cura dos traumas da história:a ditadura militar no cinema brasileiro

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