ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS

Sonata-rondo is a type of musical form which could be formulated as ABA C ABA and most commonly existing on the last movements of sonatas, concertos, symphonies or similar genres. The second episode C might be in a new thematic character in some pieces, as well as it might be a development section i...

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Autores principales:	Giray KOÇASLAN, Türev BERKİ
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	sonata rondo, form analysis, haydn, string quartet, hob.iii:3, mozart, string quartet, nr. 4, kv 157 Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/9aa7eaf315ff48fb8827e604123795ef
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spelling	oai:doaj.org-article:9aa7eaf315ff48fb8827e604123795ef2021-11-24T09:20:38ZON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS2148-416310.9761/JASSS7772https://doaj.org/article/9aa7eaf315ff48fb8827e604123795ef2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=486567298_16-Ar%C5%9F.%20G%C3%B6r.%20Giray%20Ko%C3%A7aslan.pdf&key=28891https://doaj.org/toc/2148-4163Sonata-rondo is a type of musical form which could be formulated as ABA C ABA and most commonly existing on the last movements of sonatas, concertos, symphonies or similar genres. The second episode C might be in a new thematic character in some pieces, as well as it might be a development section in some others. The ABA revival following this episode could be abbreviated or even sometimes A, the rondo themes, could be omitted. There are several differing references on the inventer of sonata-rondo. Basing on the literature survey, four pieces come to the fore: 1) Joseph Haydn. String Quartet, Hob.III:3, D Major, V. Movement (1764)? 2) Wofgang Amadeus Mozart. String Quartet, Nr. 4, KV 157, C Major, III. Movement (1773) 3) Joseph Haydn. Symphony, Hob.I:64, A Major, IV. Movement (1775) 4) Joseph Haydn. Symphony, Hob.I:77, Bb Major, IV. Movement (1782) Considering the sonata-rondo norms accepted today, is it any possible to call any of these four pieces as sonata-rondo form? In order to find an answer to this question, a series of works have been started. In this frame, at the 3rd International Music and Dance Congress held in Marmaris in 2017, the related movements of Haydn’s 64th and 77th symphonies were examined and it was demonstrated that none of these two works are in sonata-rondo form. In this study, form analysis of Mozart’s and Haydn’s string quartet movements mentioned above will be carried out and an answer for the possible inventer of sonata-rondo form is going to be found.Giray KOÇASLANTürev BERKİFırat Universityarticlesonatarondo, form analysis, haydn, string quartet, hob.iii:3, mozart, string quartet, nr. 4, kv 157Social SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 11, Iss 73, Pp 223-230 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	sonata rondo, form analysis, haydn, string quartet, hob.iii:3, mozart, string quartet, nr. 4, kv 157 Social Sciences H Social sciences (General) H1-99
spellingShingle	sonata rondo, form analysis, haydn, string quartet, hob.iii:3, mozart, string quartet, nr. 4, kv 157 Social Sciences H Social sciences (General) H1-99 Giray KOÇASLAN Türev BERKİ ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS
description	Sonata-rondo is a type of musical form which could be formulated as ABA C ABA and most commonly existing on the last movements of sonatas, concertos, symphonies or similar genres. The second episode C might be in a new thematic character in some pieces, as well as it might be a development section in some others. The ABA revival following this episode could be abbreviated or even sometimes A, the rondo themes, could be omitted. There are several differing references on the inventer of sonata-rondo. Basing on the literature survey, four pieces come to the fore: 1) Joseph Haydn. String Quartet, Hob.III:3, D Major, V. Movement (1764)? 2) Wofgang Amadeus Mozart. String Quartet, Nr. 4, KV 157, C Major, III. Movement (1773) 3) Joseph Haydn. Symphony, Hob.I:64, A Major, IV. Movement (1775) 4) Joseph Haydn. Symphony, Hob.I:77, Bb Major, IV. Movement (1782) Considering the sonata-rondo norms accepted today, is it any possible to call any of these four pieces as sonata-rondo form? In order to find an answer to this question, a series of works have been started. In this frame, at the 3rd International Music and Dance Congress held in Marmaris in 2017, the related movements of Haydn’s 64th and 77th symphonies were examined and it was demonstrated that none of these two works are in sonata-rondo form. In this study, form analysis of Mozart’s and Haydn’s string quartet movements mentioned above will be carried out and an answer for the possible inventer of sonata-rondo form is going to be found.
format	article
author	Giray KOÇASLAN Türev BERKİ
author_facet	Giray KOÇASLAN Türev BERKİ
author_sort	Giray KOÇASLAN
title	ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS
title_short	ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS
title_full	ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS
title_fullStr	ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS
title_full_unstemmed	ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS
title_sort	on the trace of first sonata-rondo: two string quartets
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/9aa7eaf315ff48fb8827e604123795ef
work_keys_str_mv	AT giraykocaslan onthetraceoffirstsonatarondotwostringquartets AT turevberki onthetraceoffirstsonatarondotwostringquartets
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ON THE TRACE OF FIRST SONATA-RONDO: TWO STRING QUARTETS

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