“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista

This article aims at evidencing the stigmas related to the work developed by a street artist, specifically, in the centre of the city of Porto Alegre, a crowded spot typical of large cities where the degradation and revitalization of the space turn fears and sociability into mediators for the intera...

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Autores principales:	Carolina Dalla Chiesa, Pedro Henrique de Gois, Gabriela De Luca, Neusa Rolita Cavedon
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2015
Materias:	craftsmanship street stigma Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/9be567f1d0ac416aabbab5f8fa9a383b
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id	oai:doaj.org-article:9be567f1d0ac416aabbab5f8fa9a383b
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spelling	oai:doaj.org-article:9be567f1d0ac416aabbab5f8fa9a383b2021-11-11T15:42:00Z“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista2177-6229https://doaj.org/article/9be567f1d0ac416aabbab5f8fa9a383b2015-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93838249005https://doaj.org/toc/2177-6229This article aims at evidencing the stigmas related to the work developed by a street artist, specifically, in the centre of the city of Porto Alegre, a crowded spot typical of large cities where the degradation and revitalization of the space turn fears and sociability into mediators for the interactions that happen there. In order to reach this objective, we base the study mainly on the notion of stigma and the transformations that happen over time in the artisan’s and artist’s work, and look at space from an anthropological perspective, bearing in mind the meanings attributed to it. We aim at addressing the relationship between work, space and interactions established with the artisan’s activity through an ethnographically inspired study utilizing techniques such as interview, observation and filming. As part of the analysis, we argue that the visibilities and invisibilities constituted in the interactions with the artist are related to the dimension of the work linked to the space where it is developed, producing a stigma – at a higher or lower level – from the perspective of those who see and those who are seen. Both the artist and the work are judged and identified relationally. In this situation we studied, it is possible to see the labor activity being established in a relational manner and, moreover, and craftsmanship being understood as stigmatizing or a pejorative term by the subject themselves and by the passersby. Keywords: craftsmanship, street, stigma.inspired study utilizing techniques such as interview, observation and filming. As part of the analysis, we argue that the visibilities and invisibilities constituted in the interactions with the artist are related to the dimension of the work linked to the space where it is developed, producing a stigma – at a higher or lower level – from the perspective of those who see and those who are seen. Both the artist and the work are judged and identified relationally. In this situation we studied, it is possible to see the labor activity being established in a relational manner and, moreover, and craftsmanship being understood as stigmatizing or a pejorative term by the subject themselves and by the passersby.Carolina Dalla ChiesaPedro Henrique de GoisGabriela De LucaNeusa Rolita CavedonUniversidade do Vale do Rio dos Sinos (UNISINOS)articlecraftsmanshipstreetstigmaSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 51, Iss 1, Pp 32-41 (2015)
institution	DOAJ
collection	DOAJ
language	PT
topic	craftsmanship street stigma Social Sciences H Social sciences (General) H1-99
spellingShingle	craftsmanship street stigma Social Sciences H Social sciences (General) H1-99 Carolina Dalla Chiesa Pedro Henrique de Gois Gabriela De Luca Neusa Rolita Cavedon “Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista
description	This article aims at evidencing the stigmas related to the work developed by a street artist, specifically, in the centre of the city of Porto Alegre, a crowded spot typical of large cities where the degradation and revitalization of the space turn fears and sociability into mediators for the interactions that happen there. In order to reach this objective, we base the study mainly on the notion of stigma and the transformations that happen over time in the artisan’s and artist’s work, and look at space from an anthropological perspective, bearing in mind the meanings attributed to it. We aim at addressing the relationship between work, space and interactions established with the artisan’s activity through an ethnographically inspired study utilizing techniques such as interview, observation and filming. As part of the analysis, we argue that the visibilities and invisibilities constituted in the interactions with the artist are related to the dimension of the work linked to the space where it is developed, producing a stigma – at a higher or lower level – from the perspective of those who see and those who are seen. Both the artist and the work are judged and identified relationally. In this situation we studied, it is possible to see the labor activity being established in a relational manner and, moreover, and craftsmanship being understood as stigmatizing or a pejorative term by the subject themselves and by the passersby. Keywords: craftsmanship, street, stigma.inspired study utilizing techniques such as interview, observation and filming. As part of the analysis, we argue that the visibilities and invisibilities constituted in the interactions with the artist are related to the dimension of the work linked to the space where it is developed, producing a stigma – at a higher or lower level – from the perspective of those who see and those who are seen. Both the artist and the work are judged and identified relationally. In this situation we studied, it is possible to see the labor activity being established in a relational manner and, moreover, and craftsmanship being understood as stigmatizing or a pejorative term by the subject themselves and by the passersby.
format	article
author	Carolina Dalla Chiesa Pedro Henrique de Gois Gabriela De Luca Neusa Rolita Cavedon
author_facet	Carolina Dalla Chiesa Pedro Henrique de Gois Gabriela De Luca Neusa Rolita Cavedon
author_sort	Carolina Dalla Chiesa
title	“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista
title_short	“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista
title_full	“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista
title_fullStr	“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista
title_full_unstemmed	“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista
title_sort	“tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2015
url	https://doaj.org/article/9be567f1d0ac416aabbab5f8fa9a383b
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“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista

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