Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)

The matters of the October Revolution are present on several levels in Zenit from the first issue until the closing of the magazine. The October Revolution appears as a topic in Zenit in discussions about Soviet Avant-garde art, as well as the sociopolitical consequences of the Revolution, but also...

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Autor principal:	Lalatović Jelena
Formato:	article
Lenguaje:	EN SR
Publicado:	Akademija umetnosti Univerziteta u Novom Sadu 2021
Materias:	zenitism avant-garde lenin trotsky lunacharsky Arts in general NX1-820
Acceso en línea:	https://doaj.org/article/9c507c26393b40d288b6ca148cc68210
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spelling	oai:doaj.org-article:9c507c26393b40d288b6ca148cc682102021-12-05T21:40:03ZSilhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)2334-86662560-310810.5937/ZbAkU2109068Lhttps://doaj.org/article/9c507c26393b40d288b6ca148cc682102021-01-01T00:00:00Zhttps://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2021/2334-86662109068L.pdfhttps://doaj.org/toc/2334-8666https://doaj.org/toc/2560-3108The matters of the October Revolution are present on several levels in Zenit from the first issue until the closing of the magazine. The October Revolution appears as a topic in Zenit in discussions about Soviet Avant-garde art, as well as the sociopolitical consequences of the Revolution, but also as a symbol of the destruction of old civilisation, one of the fundamental programme principles of Zenitism. This paper analyses the strategies for shaping the concept and discourse on the October Revolution in Zenit. First, the intertextual connections between the texts that speak about the Soviet artistic Avant-garde and the texts about the political Avant-garde of the October Revolution are reconstructed, i.e. their ideological and aesthetic unity as a product of Ljubomir Micić's editorial policy. Then, the second level of analysis occurs through a comparative reading of the programmatic principles of Zenithism and the ideas of the representatives of the Soviet political Avant-garde - Vladimir Ilyich Lenin, Leon Davidovich Trotsky and Anatoly Vasilyevich Lunacharsky. The aim of this paper is to examine how the figures of revolutionary leaders and artists, and the reception of their works and texts in the Zenit magazine, shaped the Zenitist understanding of the historical role of Avant-garde art as new art. Furthermore, special attention is paid to the interpretation of Zenit's artistic ideology in the context of revolutionary Marxism, i.e. to the analysis of implicit ambivalences between artistic individuality, on the one hand, and the Avant-garde and Revolution, as collective events, on the other.Lalatović JelenaAkademija umetnosti Univerziteta u Novom Saduarticlezenitismavant-gardelenintrotskylunacharskyArts in generalNX1-820ENSRZbornik Radova Akademije Umetnosti, Vol 2021, Iss 9, Pp 68-78 (2021)
institution	DOAJ
collection	DOAJ
language	EN SR
topic	zenitism avant-garde lenin trotsky lunacharsky Arts in general NX1-820
spellingShingle	zenitism avant-garde lenin trotsky lunacharsky Arts in general NX1-820 Lalatović Jelena Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)
description	The matters of the October Revolution are present on several levels in Zenit from the first issue until the closing of the magazine. The October Revolution appears as a topic in Zenit in discussions about Soviet Avant-garde art, as well as the sociopolitical consequences of the Revolution, but also as a symbol of the destruction of old civilisation, one of the fundamental programme principles of Zenitism. This paper analyses the strategies for shaping the concept and discourse on the October Revolution in Zenit. First, the intertextual connections between the texts that speak about the Soviet artistic Avant-garde and the texts about the political Avant-garde of the October Revolution are reconstructed, i.e. their ideological and aesthetic unity as a product of Ljubomir Micić's editorial policy. Then, the second level of analysis occurs through a comparative reading of the programmatic principles of Zenithism and the ideas of the representatives of the Soviet political Avant-garde - Vladimir Ilyich Lenin, Leon Davidovich Trotsky and Anatoly Vasilyevich Lunacharsky. The aim of this paper is to examine how the figures of revolutionary leaders and artists, and the reception of their works and texts in the Zenit magazine, shaped the Zenitist understanding of the historical role of Avant-garde art as new art. Furthermore, special attention is paid to the interpretation of Zenit's artistic ideology in the context of revolutionary Marxism, i.e. to the analysis of implicit ambivalences between artistic individuality, on the one hand, and the Avant-garde and Revolution, as collective events, on the other.
format	article
author	Lalatović Jelena
author_facet	Lalatović Jelena
author_sort	Lalatović Jelena
title	Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)
title_short	Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)
title_full	Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)
title_fullStr	Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)
title_full_unstemmed	Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)
title_sort	silhouettes of the revolution: ideas of v. i. lenin, l. d. trotsky and a. v. lunacharsky in zenith (1921-1926)
publisher	Akademija umetnosti Univerziteta u Novom Sadu
publishDate	2021
url	https://doaj.org/article/9c507c26393b40d288b6ca148cc68210
work_keys_str_mv	AT lalatovicjelena silhouettesoftherevolutionideasofvileninldtrotskyandavlunacharskyinzenith19211926
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Silhouettes of the Revolution: Ideas of V. I. Lenin, L. D. Trotsky and A. V. Lunacharsky in Zenith (1921-1926)

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