Size Matters: Walton Fords Promiscuous New World Grammatology in Chingado (1998)
In his painting Chingado (1998), US-American artist Walton Ford undertakes an interspecies queering of modern Mexico’s origin myth. Using the visual protocols of early 19th-century natural history artists, Ford presents the colonial clash of cultures as animal allegory. With a focus on the ‘ink and...
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| Format: | article |
| Language: | EN ES |
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Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
2014
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| Online Access: | https://doaj.org/article/9c858ead29ed48558cc00394149756b9 |
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