El monte tucumano como “teatro de operaciones”: las puestas en escena del poder durante el Operativo Independencia (Tucumán, 1975-1977)
In this paper we want to reflect on how and why in the first place, militants from the Partido Revolucionario de los Trabajadores-Ejército Revolucionario del Pueblo (PRT-ERP) and afterwards on february 1975 the military authorities, built primarily the Tucumán’s mount - a relatively peripheral or ma...
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| Formato: | article |
| Lenguaje: | EN FR PT |
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Centre de Recherches sur les Mondes Américains
2011
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/9cdd5415c99740d4be935c8dde41b409 |
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| Sumario: | In this paper we want to reflect on how and why in the first place, militants from the Partido Revolucionario de los Trabajadores-Ejército Revolucionario del Pueblo (PRT-ERP) and afterwards on february 1975 the military authorities, built primarily the Tucumán’s mount - a relatively peripheral or marginal place on the national scene - as the center of their militant and repressive strategy, respectively. From the analysis of a series of power “stagings” (Balandier, 1994; Abèlés, 1997), we will show how the mount was built as a “theater” where a conventional “war” of “Independence” reaffirmation was waged, where thousands and thousands of soldiers were mobilized and exalted as a paradigm of the “armed virile people” -under the mandate of life sacrifice and the moral value of heroism. |
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