Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)

The article is dedicated to the analysis of philosophic anthropology of the great Spanish artist of the 17th century Diego Velazquez. This anthropology is considered through the prism of the problems that set the life of contemporary Russia and its "reflections" in the present-day Russian...

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Autor principal:	M. Silantieva
Formato:	article
Lenguaje:	EN RU
Publicado:	MGIMO University Press 2014
Materias:	«проблема человека» philosophical anthropology figurative language of religious art post-modern anthropology philosophy of culture velazquez’s creative work religious image phenomenon of consciousness “the problem of the man” post-modern “myth about the man” in contemporary russian painting International relations JZ2-6530
Acceso en línea:	https://doaj.org/article/9cf045fa0e48448ab3919d5c5802f779
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spelling	oai:doaj.org-article:9cf045fa0e48448ab3919d5c5802f7792021-11-23T14:50:56ZDiego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)2071-81602541-909910.24833/2071-8160-2014-2-35-271-284https://doaj.org/article/9cf045fa0e48448ab3919d5c5802f7792014-04-01T00:00:00Zhttps://www.vestnik.mgimo.ru/jour/article/view/97https://doaj.org/toc/2071-8160https://doaj.org/toc/2541-9099The article is dedicated to the analysis of philosophic anthropology of the great Spanish artist of the 17th century Diego Velazquez. This anthropology is considered through the prism of the problems that set the life of contemporary Russia and its "reflections" in the present-day Russian artists' works. At that Velazquez's philosophical anthropology is reconstructed on the basis of his works. As a consequence, significant part of attention is paid to the method that allows performing such reconstruction. The author proceeds from the belief according to which not only written texts can be considered philosophically. The visual "texts" connected with certain world outlook component of art creative work undoubtedly possess definite semantics. Expressed by the language of art, such image lines contain intelligible sense component reconstruction of which can be subjected to strict scientific and philosophical analysis and corrected with its help. At that one should not think that the images are "translated" into "the text of words" - on the contrary, philosophical reconstruction implies not as "verbalization" of visual line as coherent to it logical mastering of the picture's sense (in this case) against the background of historical and historical-philosophical "scenery". The urgency of turning to this problem is brought about by the fact that a number of questions that found vivid and coherent (as philosophical-anthropological research shows) embodiment in Velazquez's creative work are extremely interesting for contemporary thinkers speaking the language of contemporary fine arts. "The topic of mirror" is among such questions and it deals with correlation of intellectual and rational in a person's consciousness, and, finally, there is the issue of the man as a bearer of moral principles. Comparison of attitudes shown by contemporary painting with Velazquez's ideas enables to trace the development of philosophical anthropology and in the area of its most significant categories - the man, society, consciousness, corporality, creative work, etc.M. SilantievaMGIMO University Pressarticle«проблема человека»philosophical anthropologyfigurative language of religious artpost-modern anthropologyphilosophy of culturevelazquez’s creative workreligious imagephenomenon of consciousness“the problem of the man”post-modern “myth about the man” in contemporary russian paintingInternational relationsJZ2-6530ENRUVestnik MGIMO-Universiteta, Vol 0, Iss 2(35), Pp 271-284 (2014)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	«проблема человека» philosophical anthropology figurative language of religious art post-modern anthropology philosophy of culture velazquez’s creative work religious image phenomenon of consciousness “the problem of the man” post-modern “myth about the man” in contemporary russian painting International relations JZ2-6530
spellingShingle	«проблема человека» philosophical anthropology figurative language of religious art post-modern anthropology philosophy of culture velazquez’s creative work religious image phenomenon of consciousness “the problem of the man” post-modern “myth about the man” in contemporary russian painting International relations JZ2-6530 M. Silantieva Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)
description	The article is dedicated to the analysis of philosophic anthropology of the great Spanish artist of the 17th century Diego Velazquez. This anthropology is considered through the prism of the problems that set the life of contemporary Russia and its "reflections" in the present-day Russian artists' works. At that Velazquez's philosophical anthropology is reconstructed on the basis of his works. As a consequence, significant part of attention is paid to the method that allows performing such reconstruction. The author proceeds from the belief according to which not only written texts can be considered philosophically. The visual "texts" connected with certain world outlook component of art creative work undoubtedly possess definite semantics. Expressed by the language of art, such image lines contain intelligible sense component reconstruction of which can be subjected to strict scientific and philosophical analysis and corrected with its help. At that one should not think that the images are "translated" into "the text of words" - on the contrary, philosophical reconstruction implies not as "verbalization" of visual line as coherent to it logical mastering of the picture's sense (in this case) against the background of historical and historical-philosophical "scenery". The urgency of turning to this problem is brought about by the fact that a number of questions that found vivid and coherent (as philosophical-anthropological research shows) embodiment in Velazquez's creative work are extremely interesting for contemporary thinkers speaking the language of contemporary fine arts. "The topic of mirror" is among such questions and it deals with correlation of intellectual and rational in a person's consciousness, and, finally, there is the issue of the man as a bearer of moral principles. Comparison of attitudes shown by contemporary painting with Velazquez's ideas enables to trace the development of philosophical anthropology and in the area of its most significant categories - the man, society, consciousness, corporality, creative work, etc.
format	article
author	M. Silantieva
author_facet	M. Silantieva
author_sort	M. Silantieva
title	Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)
title_short	Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)
title_full	Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)
title_fullStr	Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)
title_full_unstemmed	Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)
title_sort	diego velázquez's kings, buffoons and philosophers in the context of his religious paintings: the view from russia (philosophical-anthropological analysis)
publisher	MGIMO University Press
publishDate	2014
url	https://doaj.org/article/9cf045fa0e48448ab3919d5c5802f779
work_keys_str_mv	AT msilantieva diegovelazquezskingsbuffoonsandphilosophersinthecontextofhisreligiouspaintingstheviewfromrussiaphilosophicalanthropologicalanalysis
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Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)

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