Un descenso a los infiernos
In this article, first published in Italian in the journal Tuttilibri (March-May 2000), Teresa De Lauretis suggests how in a number of films made in the 90s, such as Heavenly Creatures and Accomplices –there emerges a representation of homosexuality, especially feminine, removed from the repressive...
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| Autores principales: | , |
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| Formato: | article |
| Lenguaje: | CA EN ES EU FR GL IT PT |
| Publicado: |
Universitat de Barcelona
2001
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/9d304059865b40aabe5357c831c926ba |
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| Sumario: | In this article, first published in Italian in the journal Tuttilibri (March-May 2000), Teresa De Lauretis suggests how in a number of films made in the 90s, such as Heavenly Creatures and Accomplices –there emerges a representation of homosexuality, especially feminine, removed from the repressive moralism of previous productions. However, despite the differences and the presence in these films of female subjects, there also emerges a love-and-death imagery that joins sexuality and aggressive pulsions |
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