Un descenso a los infiernos

Un descenso a los infiernos

In this article, first published in Italian in the journal Tuttilibri (March-May 2000), Teresa De Lauretis suggests how in a number of films made in the 90s, such as Heavenly Creatures and Accomplices –there emerges a representation of homosexuality, especially feminine, removed from the repressive...

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Autores principales: Teresa de Lauretis, Annalisa Mirizio
Formato: article
Lenguaje:CA
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Publicado: Universitat de Barcelona 2001
Materias:
Women. Feminism
HQ1101-2030.7
Acceso en línea:https://doaj.org/article/9d304059865b40aabe5357c831c926ba
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spelling oai:doaj.org-article:9d304059865b40aabe5357c831c926ba2021-12-02T17:55:57ZUn descenso a los infiernos1136-57812013-9470https://doaj.org/article/9d304059865b40aabe5357c831c926ba2001-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7019https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470In this article, first published in Italian in the journal Tuttilibri (March-May 2000), Teresa De Lauretis suggests how in a number of films made in the 90s, such as Heavenly Creatures and Accomplices –there emerges a representation of homosexuality, especially feminine, removed from the repressive moralism of previous productions. However, despite the differences and the presence in these films of female subjects, there also emerges a love-and-death imagery that joins sexuality and aggressive pulsionsTeresa de LauretisAnnalisa MirizioUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 7 (2001)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Teresa de Lauretis
Annalisa Mirizio
Un descenso a los infiernos
description In this article, first published in Italian in the journal Tuttilibri (March-May 2000), Teresa De Lauretis suggests how in a number of films made in the 90s, such as Heavenly Creatures and Accomplices –there emerges a representation of homosexuality, especially feminine, removed from the repressive moralism of previous productions. However, despite the differences and the presence in these films of female subjects, there also emerges a love-and-death imagery that joins sexuality and aggressive pulsions
format article
author Teresa de Lauretis
Annalisa Mirizio
author_facet Teresa de Lauretis
Annalisa Mirizio
author_sort Teresa de Lauretis
title Un descenso a los infiernos
title_short Un descenso a los infiernos
title_full Un descenso a los infiernos
title_fullStr Un descenso a los infiernos
title_full_unstemmed Un descenso a los infiernos
title_sort un descenso a los infiernos
publisher Universitat de Barcelona
publishDate 2001
url https://doaj.org/article/9d304059865b40aabe5357c831c926ba
work_keys_str_mv AT teresadelauretis undescensoalosinfiernos
AT annalisamirizio undescensoalosinfiernos
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