Nietzsche’s Idiosyncrasy Against Euripides
The main purpose of this article is to present a critique of the Nietzschean reading of the evaluative status of Euripides’ poetry within the historical-genealogical process that the philosopher understands as constituting the decline of the Greek tragedy. The negative character – supposedly radica...
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Università degli Studi di Milano
2021
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oai:doaj.org-article:9df796d149ea4c1aa001f0f500d9a4732021-11-27T09:18:36ZNietzsche’s Idiosyncrasy Against Euripides10.54103/2282-0035/167952282-00350001-494Xhttps://doaj.org/article/9df796d149ea4c1aa001f0f500d9a4732021-11-01T00:00:00Zhttps://riviste.unimi.it/index.php/ACME/article/view/16795https://doaj.org/toc/2282-0035https://doaj.org/toc/0001-494X The main purpose of this article is to present a critique of the Nietzschean reading of the evaluative status of Euripides’ poetry within the historical-genealogical process that the philosopher understands as constituting the decline of the Greek tragedy. The negative character – supposedly radicalizing, potentializing and consuming this hypothetical trajectory of decline – of Euripidian poetry will here be imputed to the very theoretical conditioning of the Nietzschean conception of the tragic. To do this, we will explore three fundamental guidelines: (1) the subordination of Nietzsche to a traditional interpretative line; (2) his tendentious disregard for the concrete content of the whole Euripidian work; (3) the unfounded identification between Socrates and Euripides. Daniel da Silva ToledoUniversità degli Studi di MilanoarticleGeneral WorksAITACME, Vol 74, Iss 1 (2021) |
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General Works A Daniel da Silva Toledo Nietzsche’s Idiosyncrasy Against Euripides |
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The main purpose of this article is to present a critique of the Nietzschean reading of the evaluative status of Euripides’ poetry within the historical-genealogical process that the philosopher understands as constituting the decline of the Greek tragedy. The negative character – supposedly radicalizing, potentializing and consuming this hypothetical trajectory of decline – of Euripidian poetry will here be imputed to the very theoretical conditioning of the Nietzschean conception of the tragic. To do this, we will explore three fundamental guidelines: (1) the subordination of Nietzsche to a traditional interpretative line; (2) his tendentious disregard for the concrete content of the whole Euripidian work; (3) the unfounded identification between Socrates and Euripides.
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format |
article |
author |
Daniel da Silva Toledo |
author_facet |
Daniel da Silva Toledo |
author_sort |
Daniel da Silva Toledo |
title |
Nietzsche’s Idiosyncrasy Against Euripides |
title_short |
Nietzsche’s Idiosyncrasy Against Euripides |
title_full |
Nietzsche’s Idiosyncrasy Against Euripides |
title_fullStr |
Nietzsche’s Idiosyncrasy Against Euripides |
title_full_unstemmed |
Nietzsche’s Idiosyncrasy Against Euripides |
title_sort |
nietzsche’s idiosyncrasy against euripides |
publisher |
Università degli Studi di Milano |
publishDate |
2021 |
url |
https://doaj.org/article/9df796d149ea4c1aa001f0f500d9a473 |
work_keys_str_mv |
AT danieldasilvatoledo nietzschesidiosyncrasyagainsteuripides |
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1718409062106791936 |