A plenitude de um vazio em que a pobreza não é mais paisagem: a periferia em Paulo Lins e Ferréz
This article intends to place Paulo Lins’ novel Cidade de Deus and Ferréz’s novels Capão Pecado and Manual prático do ódio in the panorama of Brazilian contemporary “new-realisms”, evaluating thematic choices and narrative techniques and proce- dures. Also, this study analyses the originality of the...
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| Formato: | article |
| Lenguaje: | ES PT |
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Universidade de Brasília
2013
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| Acceso en línea: | https://doaj.org/article/9e448a12dec449b1aaf08f8b97f0f967 |
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| Sumario: | This article intends to place Paulo Lins’ novel Cidade de Deus and Ferréz’s novels Capão Pecado and Manual prático do ódio in the panorama of Brazilian contemporary “new-realisms”, evaluating thematic choices and narrative techniques and proce- dures. Also, this study analyses the originality of their prose, noting the cautious distance of their aesthetic philosophies and the fundamental elements of their lit- erary universe –poverty, crime and inequality– from any extreme culture of vio- lence. The analysis of this books seeks to reveal another perspective on the issue of the image of the city and urban poverty, usually sensationalist, and to contribute to a better understanding of the complexity of everyday violence in poor urban communities. |
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