Chiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô
The article provides a reading, from a psychoanalytic point of view, of Japanese writer Kanai Mieko’s short tale Boshizô (Portrait of Mother and Child), published in 1992, as a “twisted” or “contorted” parable of the construction of female subjectivity. Establishing connections between the form and...
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Universitat de Barcelona
2011
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oai:doaj.org-article:9fdc9d7c662c4b4b9288aaf535d2c1fb2021-12-02T17:55:48ZChiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô1136-57812013-9470https://doaj.org/article/9fdc9d7c662c4b4b9288aaf535d2c1fb2011-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7230https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470The article provides a reading, from a psychoanalytic point of view, of Japanese writer Kanai Mieko’s short tale Boshizô (Portrait of Mother and Child), published in 1992, as a “twisted” or “contorted” parable of the construction of female subjectivity. Establishing connections between the form and the content of the novel, the essay analyzes how Kanai’s use of the rhetorical figure of the chiasmus structures the internal narrative of the novel at the same time that it reflects the process of formation of female subjectivity and desire. The novel becomes, thus, a staging of the female Oedipus complex which plays out its twists.Mary A. KnightonUniversitat de BarcelonaarticleJapanese literaturepsychoanalysisKanai MiekoBoshizôfemale subjectivityOedipus complexWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 16 (2011) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
CA EN ES EU FR GL IT PT |
| topic |
Japanese literature psychoanalysis Kanai Mieko Boshizô female subjectivity Oedipus complex Women. Feminism HQ1101-2030.7 |
| spellingShingle |
Japanese literature psychoanalysis Kanai Mieko Boshizô female subjectivity Oedipus complex Women. Feminism HQ1101-2030.7 Mary A. Knighton Chiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô |
| description |
The article provides a reading, from a psychoanalytic point of view, of Japanese writer Kanai Mieko’s short tale Boshizô (Portrait of Mother and Child), published in 1992, as a “twisted” or “contorted” parable of the construction of female subjectivity. Establishing connections between the form and the content of the novel, the essay analyzes how Kanai’s use of the rhetorical figure of the chiasmus structures the internal narrative of the novel at the same time that it reflects the process of formation of female subjectivity and desire. The novel becomes, thus, a staging of the female Oedipus complex which plays out its twists. |
| format |
article |
| author |
Mary A. Knighton |
| author_facet |
Mary A. Knighton |
| author_sort |
Mary A. Knighton |
| title |
Chiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô |
| title_short |
Chiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô |
| title_full |
Chiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô |
| title_fullStr |
Chiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô |
| title_full_unstemmed |
Chiasmatic Narrative and Twisted Subjectivity in Kanai Mieko's Boshizô |
| title_sort |
chiasmatic narrative and twisted subjectivity in kanai mieko's boshizô |
| publisher |
Universitat de Barcelona |
| publishDate |
2011 |
| url |
https://doaj.org/article/9fdc9d7c662c4b4b9288aaf535d2c1fb |
| work_keys_str_mv |
AT maryaknighton chiasmaticnarrativeandtwistedsubjectivityinkanaimiekosboshizo |
| _version_ |
1718379125069053952 |