Postural analysis in female Bharatanatyam dancers: a cross-sectional study

Abstract Background Gaining proficiency in Bharatanatyam dance form necessitates maintenance of different postures for prolonged duration. These repetitive movements place tremendous physical demands on the body at young age and may alter the postural profile of the dancer. The study aimed to evalua...

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Autores principales: Vrushali P. Panhale, Prachita P. Walankar, Aishwarya Sridhar
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Lenguaje:EN
Publicado: SpringerOpen 2021
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Acceso en línea:https://doaj.org/article/a07e9de1c78945b5a639894904239b92
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spelling oai:doaj.org-article:a07e9de1c78945b5a639894904239b922021-11-21T12:03:17ZPostural analysis in female Bharatanatyam dancers: a cross-sectional study10.1186/s43161-021-00042-y1110-66112536-9660https://doaj.org/article/a07e9de1c78945b5a639894904239b922021-11-01T00:00:00Zhttps://doi.org/10.1186/s43161-021-00042-yhttps://doaj.org/toc/1110-6611https://doaj.org/toc/2536-9660Abstract Background Gaining proficiency in Bharatanatyam dance form necessitates maintenance of different postures for prolonged duration. These repetitive movements place tremendous physical demands on the body at young age and may alter the postural profile of the dancer. The study aimed to evaluate the differences in terms of posture between female Bharatanatyam dancers and age-matched non-dancers. A cross-sectional study was conducted in 40 female Bharatanatyam dancers and 40 age-matched female non-dancers in the age group of 18 to 30 years. Analysis of erect standing posture of dancers and non-dancers was conducted in a reserved environment using a photogrammetric method. Static photographs of the subjects were taken in the sagittal plane. The measurement of the angles of the digitized photographs was performed using KINOVEA 0.8.15 software. Head protrusion angle, cervical lordosis angle, thoracic kyphosis angle, lumbar lordosis angle, and pelvic tilt angle were evaluated. Results There was no significant difference between the dancers and non-dancers with respect to head protrusion angle (p = 0.081), cervical lordosis (p = 0.15), and thoracic kyphosis (p = 0.33). Significant differences were identified between the dancers and non-dancers for lumbar lordosis (p = 0.00) and pelvic tilt (p = 0.00) using independent t test with dancers. Higher values of lumbar lordosis and pelvic tilt were observed in dancers. Conclusion Increased lumbar lordosis and anterior pelvic tilt were observed in Bharatanatyam dancers as compared to non-dancers. Hence, it is vital to establish preventive measures like postural re-education, muscular balance, and flexibility to prevent erroneous postural patterns capable of causing pain and injuries.Vrushali P. PanhalePrachita P. WalankarAishwarya SridharSpringerOpenarticleBharatanatyamDancerPhotogrammetricPostureMiscellaneous systems and treatmentsRZ409.7-999ENBulletin of Faculty of Physical Therapy, Vol 26, Iss 1, Pp 1-6 (2021)
institution DOAJ
collection DOAJ
language EN
topic Bharatanatyam
Dancer
Photogrammetric
Posture
Miscellaneous systems and treatments
RZ409.7-999
spellingShingle Bharatanatyam
Dancer
Photogrammetric
Posture
Miscellaneous systems and treatments
RZ409.7-999
Vrushali P. Panhale
Prachita P. Walankar
Aishwarya Sridhar
Postural analysis in female Bharatanatyam dancers: a cross-sectional study
description Abstract Background Gaining proficiency in Bharatanatyam dance form necessitates maintenance of different postures for prolonged duration. These repetitive movements place tremendous physical demands on the body at young age and may alter the postural profile of the dancer. The study aimed to evaluate the differences in terms of posture between female Bharatanatyam dancers and age-matched non-dancers. A cross-sectional study was conducted in 40 female Bharatanatyam dancers and 40 age-matched female non-dancers in the age group of 18 to 30 years. Analysis of erect standing posture of dancers and non-dancers was conducted in a reserved environment using a photogrammetric method. Static photographs of the subjects were taken in the sagittal plane. The measurement of the angles of the digitized photographs was performed using KINOVEA 0.8.15 software. Head protrusion angle, cervical lordosis angle, thoracic kyphosis angle, lumbar lordosis angle, and pelvic tilt angle were evaluated. Results There was no significant difference between the dancers and non-dancers with respect to head protrusion angle (p = 0.081), cervical lordosis (p = 0.15), and thoracic kyphosis (p = 0.33). Significant differences were identified between the dancers and non-dancers for lumbar lordosis (p = 0.00) and pelvic tilt (p = 0.00) using independent t test with dancers. Higher values of lumbar lordosis and pelvic tilt were observed in dancers. Conclusion Increased lumbar lordosis and anterior pelvic tilt were observed in Bharatanatyam dancers as compared to non-dancers. Hence, it is vital to establish preventive measures like postural re-education, muscular balance, and flexibility to prevent erroneous postural patterns capable of causing pain and injuries.
format article
author Vrushali P. Panhale
Prachita P. Walankar
Aishwarya Sridhar
author_facet Vrushali P. Panhale
Prachita P. Walankar
Aishwarya Sridhar
author_sort Vrushali P. Panhale
title Postural analysis in female Bharatanatyam dancers: a cross-sectional study
title_short Postural analysis in female Bharatanatyam dancers: a cross-sectional study
title_full Postural analysis in female Bharatanatyam dancers: a cross-sectional study
title_fullStr Postural analysis in female Bharatanatyam dancers: a cross-sectional study
title_full_unstemmed Postural analysis in female Bharatanatyam dancers: a cross-sectional study
title_sort postural analysis in female bharatanatyam dancers: a cross-sectional study
publisher SpringerOpen
publishDate 2021
url https://doaj.org/article/a07e9de1c78945b5a639894904239b92
work_keys_str_mv AT vrushalippanhale posturalanalysisinfemalebharatanatyamdancersacrosssectionalstudy
AT prachitapwalankar posturalanalysisinfemalebharatanatyamdancersacrosssectionalstudy
AT aishwaryasridhar posturalanalysisinfemalebharatanatyamdancersacrosssectionalstudy
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