Krleža's unfulfilled love or comfortable restlessness of gender conflicts
The fundamental idea of this article is to connect the gender antagonism in Krleža's border works of the first dramatic cycle, the rarely performed plays On the Eve (1919) and Adam and Eve (1922) with the tradition of tabooing sexuality from the end of the 19th century and the beginning of the...
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Akademija umetnosti Univerziteta u Novom Sadu
2021
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oai:doaj.org-article:a08643e4ef5c425694072716a50778492021-12-05T21:40:03ZKrleža's unfulfilled love or comfortable restlessness of gender conflicts2334-86662560-310810.5937/ZbAkU2109203Vhttps://doaj.org/article/a08643e4ef5c425694072716a50778492021-01-01T00:00:00Zhttps://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2021/2334-86662109203V.pdfhttps://doaj.org/toc/2334-8666https://doaj.org/toc/2560-3108The fundamental idea of this article is to connect the gender antagonism in Krleža's border works of the first dramatic cycle, the rarely performed plays On the Eve (1919) and Adam and Eve (1922) with the tradition of tabooing sexuality from the end of the 19th century and the beginning of the 20th century, by the inventiveness of the sociological analyses of that time, and the achievements of modern evolutionary psychology. The psychographic points of a "couple in a sexual snuggle" (Gašparović, 1977), dissolve in the characters as bearers of universal symbols. Although enclosed in the apparent triviality of exaggerated psychologisation (Donat, 1970), Krleža's malefemale miniatures through zoometaphors and mythico-dramatic parallels raise the question of how love relationships from the early 20th century managed to maintain the dominance of the spoken word over the physical and the emotional.Vidović AnđelaAkademija umetnosti Univerziteta u Novom Saduarticlemiroslav krležaadam and eveon the evegender antagonismArts in generalNX1-820ENSRZbornik Radova Akademije Umetnosti, Vol 2021, Iss 9, Pp 203-213 (2021) |
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miroslav krleža adam and eve on the eve gender antagonism Arts in general NX1-820 |
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miroslav krleža adam and eve on the eve gender antagonism Arts in general NX1-820 Vidović Anđela Krleža's unfulfilled love or comfortable restlessness of gender conflicts |
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The fundamental idea of this article is to connect the gender antagonism in Krleža's border works of the first dramatic cycle, the rarely performed plays On the Eve (1919) and Adam and Eve (1922) with the tradition of tabooing sexuality from the end of the 19th century and the beginning of the 20th century, by the inventiveness of the sociological analyses of that time, and the achievements of modern evolutionary psychology. The psychographic points of a "couple in a sexual snuggle" (Gašparović, 1977), dissolve in the characters as bearers of universal symbols. Although enclosed in the apparent triviality of exaggerated psychologisation (Donat, 1970), Krleža's malefemale miniatures through zoometaphors and mythico-dramatic parallels raise the question of how love relationships from the early 20th century managed to maintain the dominance of the spoken word over the physical and the emotional. |
format |
article |
author |
Vidović Anđela |
author_facet |
Vidović Anđela |
author_sort |
Vidović Anđela |
title |
Krleža's unfulfilled love or comfortable restlessness of gender conflicts |
title_short |
Krleža's unfulfilled love or comfortable restlessness of gender conflicts |
title_full |
Krleža's unfulfilled love or comfortable restlessness of gender conflicts |
title_fullStr |
Krleža's unfulfilled love or comfortable restlessness of gender conflicts |
title_full_unstemmed |
Krleža's unfulfilled love or comfortable restlessness of gender conflicts |
title_sort |
krleža's unfulfilled love or comfortable restlessness of gender conflicts |
publisher |
Akademija umetnosti Univerziteta u Novom Sadu |
publishDate |
2021 |
url |
https://doaj.org/article/a08643e4ef5c425694072716a5077849 |
work_keys_str_mv |
AT vidovicanđela krlezasunfulfilledloveorcomfortablerestlessnessofgenderconflicts |
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1718370961964662784 |