Children’s first handwriting productions show a rhythmic structure
Abstract Although much research has been concerned with the development of kinematic aspects of handwriting, little is known about the development along with age of two principles that govern its rhythmic organization: Homothety and Isochrony. Homothety states that the ratio between the durations of...
Guardado en:
Autores principales: | , , , , , , , |
---|---|
Formato: | article |
Lenguaje: | EN |
Publicado: |
Nature Portfolio
2017
|
Materias: | |
Acceso en línea: | https://doaj.org/article/a2338abc529a4e8d99b8909c0ce4ff33 |
Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
id |
oai:doaj.org-article:a2338abc529a4e8d99b8909c0ce4ff33 |
---|---|
record_format |
dspace |
spelling |
oai:doaj.org-article:a2338abc529a4e8d99b8909c0ce4ff332021-12-02T16:07:02ZChildren’s first handwriting productions show a rhythmic structure10.1038/s41598-017-05105-62045-2322https://doaj.org/article/a2338abc529a4e8d99b8909c0ce4ff332017-07-01T00:00:00Zhttps://doi.org/10.1038/s41598-017-05105-6https://doaj.org/toc/2045-2322Abstract Although much research has been concerned with the development of kinematic aspects of handwriting, little is known about the development along with age of two principles that govern its rhythmic organization: Homothety and Isochrony. Homothety states that the ratio between the durations of the single motor events composing a motor act remains invariant and independent from the total duration of the movement. Isochrony refers to the proportional relationship between the speed of movement execution and the length of its trajectory. The current study shows that children comply with both principles since their first grade of primary school. The precocious adherence to these principles suggests that an internal representation of the rhythm of handwriting is available before the age in which handwriting is performed automatically. Overall, these findings suggest that despite being a cultural acquisition, handwriting appears to be shaped by more general constraints on the timing planning of the movements.Elena PagliariniLisa ScocchiaMirta VerniceMarina ZoppelloUmberto BalottinSana BouamamaMaria Teresa GuastiNatale StucchiNature PortfolioarticleMedicineRScienceQENScientific Reports, Vol 7, Iss 1, Pp 1-10 (2017) |
institution |
DOAJ |
collection |
DOAJ |
language |
EN |
topic |
Medicine R Science Q |
spellingShingle |
Medicine R Science Q Elena Pagliarini Lisa Scocchia Mirta Vernice Marina Zoppello Umberto Balottin Sana Bouamama Maria Teresa Guasti Natale Stucchi Children’s first handwriting productions show a rhythmic structure |
description |
Abstract Although much research has been concerned with the development of kinematic aspects of handwriting, little is known about the development along with age of two principles that govern its rhythmic organization: Homothety and Isochrony. Homothety states that the ratio between the durations of the single motor events composing a motor act remains invariant and independent from the total duration of the movement. Isochrony refers to the proportional relationship between the speed of movement execution and the length of its trajectory. The current study shows that children comply with both principles since their first grade of primary school. The precocious adherence to these principles suggests that an internal representation of the rhythm of handwriting is available before the age in which handwriting is performed automatically. Overall, these findings suggest that despite being a cultural acquisition, handwriting appears to be shaped by more general constraints on the timing planning of the movements. |
format |
article |
author |
Elena Pagliarini Lisa Scocchia Mirta Vernice Marina Zoppello Umberto Balottin Sana Bouamama Maria Teresa Guasti Natale Stucchi |
author_facet |
Elena Pagliarini Lisa Scocchia Mirta Vernice Marina Zoppello Umberto Balottin Sana Bouamama Maria Teresa Guasti Natale Stucchi |
author_sort |
Elena Pagliarini |
title |
Children’s first handwriting productions show a rhythmic structure |
title_short |
Children’s first handwriting productions show a rhythmic structure |
title_full |
Children’s first handwriting productions show a rhythmic structure |
title_fullStr |
Children’s first handwriting productions show a rhythmic structure |
title_full_unstemmed |
Children’s first handwriting productions show a rhythmic structure |
title_sort |
children’s first handwriting productions show a rhythmic structure |
publisher |
Nature Portfolio |
publishDate |
2017 |
url |
https://doaj.org/article/a2338abc529a4e8d99b8909c0ce4ff33 |
work_keys_str_mv |
AT elenapagliarini childrensfirsthandwritingproductionsshowarhythmicstructure AT lisascocchia childrensfirsthandwritingproductionsshowarhythmicstructure AT mirtavernice childrensfirsthandwritingproductionsshowarhythmicstructure AT marinazoppello childrensfirsthandwritingproductionsshowarhythmicstructure AT umbertobalottin childrensfirsthandwritingproductionsshowarhythmicstructure AT sanabouamama childrensfirsthandwritingproductionsshowarhythmicstructure AT mariateresaguasti childrensfirsthandwritingproductionsshowarhythmicstructure AT natalestucchi childrensfirsthandwritingproductionsshowarhythmicstructure |
_version_ |
1718384795252162560 |