IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER

Ecaterina Ajder, representative of the early `80s of plastic artists from the Republic of Moldova, constantly opts for endowing the work of art with innovative stylistic values. Plastic tradition and modernity originally connect in her creation, contributing to the generation of current messages thr...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Constantin SPÎNU
Formato:	article
Lenguaje:	EN RO RU
Publicado:	Academy of Sciences of Moldova 2021
Materias:	tapestry easel painting composition syntax message tradition style Arts in general NX1-820 Science Q
Acceso en línea:	https://doi.org/10.52673/18570461.21.2-61.16 https://doaj.org/article/a30eff5c9d6742b3a3aa013e68c6b87d
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:a30eff5c9d6742b3a3aa013e68c6b87d
record_format	dspace
spelling	oai:doaj.org-article:a30eff5c9d6742b3a3aa013e68c6b87d2021-11-03T19:53:53ZIDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDERhttps://doi.org/10.52673/18570461.21.2-61.161857-0461https://doaj.org/article/a30eff5c9d6742b3a3aa013e68c6b87d2021-06-01T00:00:00Zhttp://www.akademos.asm.md/files/154-160.pdfhttps://doaj.org/toc/1857-0461Ecaterina Ajder, representative of the early `80s of plastic artists from the Republic of Moldova, constantly opts for endowing the work of art with innovative stylistic values. Plastic tradition and modernity originally connect in her creation, contributing to the generation of current messages through image. Preferring to materialize her thematic and plastic predilections in the genre of artistic tapestry and easel painting, Ecaterina Ajder has drawn and consolidated over the decades her unmistakable stylistic facet, in which the insurmountable landmarks of folk art have found a favorable artistic fulfillment and integration into relevant contemporary creative trends. In the artistic tapestry, the painter significantly capitalized both the aesthetic expressions obtained from the classic weaving, and from combining it with various techniques such as felt and embroidery. When referring to the easel painting she highlighted the traditional aspects of structural-constructive constitution of the image field and, at the same time, the impressive artistic expressions, obtained after practicing mixed techniques, giving priority to the collage methodology. In the artist’s creation, both the conceptualization and aesthetic interpretation of the theme, as well as the way of operating with plastic means imminently contribute to the demarcation and supplementing of the semantic area of the work with high value expressions.Constantin SPÎNU Academy of Sciences of Moldovaarticletapestryeasel paintingcompositionsyntaxmessagetraditionstyleArts in generalNX1-820ScienceQENRORUAkademos: Revista de Ştiinţă, Inovare, Cultură şi Artă, Vol Nr. 2, Iss 61, Pp 154-160 (2021)
institution	DOAJ
collection	DOAJ
language	EN RO RU
topic	tapestry easel painting composition syntax message tradition style Arts in general NX1-820 Science Q
spellingShingle	tapestry easel painting composition syntax message tradition style Arts in general NX1-820 Science Q Constantin SPÎNU IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER
description	Ecaterina Ajder, representative of the early `80s of plastic artists from the Republic of Moldova, constantly opts for endowing the work of art with innovative stylistic values. Plastic tradition and modernity originally connect in her creation, contributing to the generation of current messages through image. Preferring to materialize her thematic and plastic predilections in the genre of artistic tapestry and easel painting, Ecaterina Ajder has drawn and consolidated over the decades her unmistakable stylistic facet, in which the insurmountable landmarks of folk art have found a favorable artistic fulfillment and integration into relevant contemporary creative trends. In the artistic tapestry, the painter significantly capitalized both the aesthetic expressions obtained from the classic weaving, and from combining it with various techniques such as felt and embroidery. When referring to the easel painting she highlighted the traditional aspects of structural-constructive constitution of the image field and, at the same time, the impressive artistic expressions, obtained after practicing mixed techniques, giving priority to the collage methodology. In the artist’s creation, both the conceptualization and aesthetic interpretation of the theme, as well as the way of operating with plastic means imminently contribute to the demarcation and supplementing of the semantic area of the work with high value expressions.
format	article
author	Constantin SPÎNU
author_facet	Constantin SPÎNU
author_sort	Constantin SPÎNU
title	IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER
title_short	IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER
title_full	IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER
title_fullStr	IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER
title_full_unstemmed	IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER
title_sort	identity convergence in the tapestry and painting of ecaterina ajder
publisher	Academy of Sciences of Moldova
publishDate	2021
url	https://doi.org/10.52673/18570461.21.2-61.16 https://doaj.org/article/a30eff5c9d6742b3a3aa013e68c6b87d
work_keys_str_mv	AT constantinspinu identityconvergenceinthetapestryandpaintingofecaterinaajder
_version_	1718445412350689280

IDENTITY CONVERGENCE IN THE TAPESTRY AND PAINTING OF ECATERINA AJDER

Ejemplares similares