REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS

To understand our place in the contemporary world, where media (in its different formats) is responsible for a great amount of the representations of reality we have access to, it is necessary to understand the forms and strategies used by the means of communication to na...

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Autores principales:	Mariana Musse, Christina Ferraz Musse
Formato:	article
Lenguaje:	EN ES PT
Publicado:	TRF2 2019
Materias:	brazilian cinema documentary identities interview evaldo mocarzel Education L Law K
Acceso en línea:	https://doaj.org/article/a33815c441a041fc961b93156456566c
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spelling	oai:doaj.org-article:a33815c441a041fc961b93156456566c2021-12-02T11:27:35ZREPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS10.30749/2594-8261.v3n1p169-1962595-67282594-8261https://doaj.org/article/a33815c441a041fc961b93156456566c2019-05-01T00:00:00Zhttp://lexcultccjf.trf2.jus.br/index.php/LexCult/article/view/157/145https://doaj.org/toc/2595-6728https://doaj.org/toc/2594-8261To understand our place in the contemporary world, where media (in its different formats) is responsible for a great amount of the representations of reality we have access to, it is necessary to understand the forms and strategies used by the means of communication to narrate the ordinary man. For the purpose of building identities, media cuts reality which results in framings that gives origin to the stories that become visible, as for example in audiovisual products. The type of use which is made of images of people and daily situations legitimates the political discourse of the media. In cinema, the documentary genre uses reality to build its narratives. To be able to think how this genre narrates otherness, we have selected for analysis documentaries that use the interview method to give voice to Others so we can argument about representation and construction of identities out of this film genre. In order to exemplify and base our arguments, we shall work with three contemporary Brazilian documentaries: À margem da imagem (2003), À margem do concreto (2006) e À margem do lixo (2008), directed by Evaldo Mocarzel. From the analysis of these movies content, considering framing choices, number of interviewed characters, character approach, the exposure or not of the filming crew and backstage, among other criteria, we shall set the analysis of the documentaries and a comparison among them, in order to understand how the representation of the ordinary citizen is made in these movies and consequently the building of identities which come from this representation.Mariana MusseChristina Ferraz MusseTRF2articlebrazilian cinemadocumentaryidentitiesinterviewevaldo mocarzelEducationLLawKENESPTLexCult, Vol 3, Iss 1, Pp 169-196 (2019)
institution	DOAJ
collection	DOAJ
language	EN ES PT
topic	brazilian cinema documentary identities interview evaldo mocarzel Education L Law K
spellingShingle	brazilian cinema documentary identities interview evaldo mocarzel Education L Law K Mariana Musse Christina Ferraz Musse REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS
description	To understand our place in the contemporary world, where media (in its different formats) is responsible for a great amount of the representations of reality we have access to, it is necessary to understand the forms and strategies used by the means of communication to narrate the ordinary man. For the purpose of building identities, media cuts reality which results in framings that gives origin to the stories that become visible, as for example in audiovisual products. The type of use which is made of images of people and daily situations legitimates the political discourse of the media. In cinema, the documentary genre uses reality to build its narratives. To be able to think how this genre narrates otherness, we have selected for analysis documentaries that use the interview method to give voice to Others so we can argument about representation and construction of identities out of this film genre. In order to exemplify and base our arguments, we shall work with three contemporary Brazilian documentaries: À margem da imagem (2003), À margem do concreto (2006) e À margem do lixo (2008), directed by Evaldo Mocarzel. From the analysis of these movies content, considering framing choices, number of interviewed characters, character approach, the exposure or not of the filming crew and backstage, among other criteria, we shall set the analysis of the documentaries and a comparison among them, in order to understand how the representation of the ordinary citizen is made in these movies and consequently the building of identities which come from this representation.
format	article
author	Mariana Musse Christina Ferraz Musse
author_facet	Mariana Musse Christina Ferraz Musse
author_sort	Mariana Musse
title	REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS
title_short	REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS
title_full	REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS
title_fullStr	REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS
title_full_unstemmed	REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS
title_sort	representação e identidade (s) do cidadão comum em três documentários brasileiros contemporâneos
publisher	TRF2
publishDate	2019
url	https://doaj.org/article/a33815c441a041fc961b93156456566c
work_keys_str_mv	AT marianamusse representacaoeidentidadesdocidadaocomumemtresdocumentariosbrasileiroscontemporaneos AT christinaferrazmusse representacaoeidentidadesdocidadaocomumemtresdocumentariosbrasileiroscontemporaneos
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REPRESENTAÇÃO E IDENTIDADE (S) DO CIDADÃO COMUM EM TRÊS DOCUMENTÁRIOS BRASILEIROS CONTEMPORÂNEOS

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