O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea

This paper investigates how utopia is a recurring term in the contemporary art world. The spread of collaborative relations - through art collectives, artistic residences, artivism - and the valorization of these practices by institutions afterwards is a frequent process in the art world today. I...

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Autor principal:	Ana Carolina Freire Accorsi Miranda
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2017
Materias:	contemporary art daily life utopia art collectives Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/a3f125ad1ac3469cb35602159bb36c9d
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spelling	oai:doaj.org-article:a3f125ad1ac3469cb35602159bb36c9d2021-11-11T15:42:01ZO cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea2177-6229https://doaj.org/article/a3f125ad1ac3469cb35602159bb36c9d2017-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93854911006https://doaj.org/toc/2177-6229This paper investigates how utopia is a recurring term in the contemporary art world. The spread of collaborative relations - through art collectives, artistic residences, artivism - and the valorization of these practices by institutions afterwards is a frequent process in the art world today. In this paper I will discuss the discourse produced by artists, curators and theorists, thinking if these artistic practices in the world of contemporary art can work as a representation of the way in which contemporary culture has established its relationship with time and space. The hypothesis that I sustain here is that we live in a scenario where the art world valorizes collective artistic experiences that are associated with everyday aesthetics and afterwards classify it as a new utopia. A new temporality seems to emerge in the present culture, along with this, different utopian discourses rise in art. This type of art places itself as the utopia of the everyday life, constructed for the present time in the urban space. Thus, the focus of this paper is to make a brief theoreti- cal study on contemporaneity which points to important changes in the way in which individuals relate to everyday experience, narrative and memory, in order to understand the recent transformations in the world of contemporary art.Ana Carolina Freire Accorsi MirandaUniversidade do Vale do Rio dos Sinos (UNISINOS)articlecontemporary artdaily lifeutopiaart collectivesSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 53, Iss 3, Pp 450-458 (2017)
institution	DOAJ
collection	DOAJ
language	PT
topic	contemporary art daily life utopia art collectives Social Sciences H Social sciences (General) H1-99
spellingShingle	contemporary art daily life utopia art collectives Social Sciences H Social sciences (General) H1-99 Ana Carolina Freire Accorsi Miranda O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea
description	This paper investigates how utopia is a recurring term in the contemporary art world. The spread of collaborative relations - through art collectives, artistic residences, artivism - and the valorization of these practices by institutions afterwards is a frequent process in the art world today. In this paper I will discuss the discourse produced by artists, curators and theorists, thinking if these artistic practices in the world of contemporary art can work as a representation of the way in which contemporary culture has established its relationship with time and space. The hypothesis that I sustain here is that we live in a scenario where the art world valorizes collective artistic experiences that are associated with everyday aesthetics and afterwards classify it as a new utopia. A new temporality seems to emerge in the present culture, along with this, different utopian discourses rise in art. This type of art places itself as the utopia of the everyday life, constructed for the present time in the urban space. Thus, the focus of this paper is to make a brief theoreti- cal study on contemporaneity which points to important changes in the way in which individuals relate to everyday experience, narrative and memory, in order to understand the recent transformations in the world of contemporary art.
format	article
author	Ana Carolina Freire Accorsi Miranda
author_facet	Ana Carolina Freire Accorsi Miranda
author_sort	Ana Carolina Freire Accorsi Miranda
title	O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea
title_short	O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea
title_full	O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea
title_fullStr	O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea
title_full_unstemmed	O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea
title_sort	o cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2017
url	https://doaj.org/article/a3f125ad1ac3469cb35602159bb36c9d
work_keys_str_mv	AT anacarolinafreireaccorsimiranda ocotidianocomoutopianovasrelacoesdeespacoetemponomundodaartecontemporanea
_version_	1718434106700726272

O cotidiano como utopia: novas relações de espaço e tempo no mundo da arte contemporânea

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